Page 219 - Battleground The Media Volume 1 and 2
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1    |  Internet and Its Rad cal Potent al

                       William Gibson, who was attaining subculture status in North America. While
                       the liminal experience of cyberspace in cyberpunk science fiction was dysto-
                       pian and difficult to hype, another technoculture that was more amenable to
                       the popular press portrayed cyberspace as an “electronic frontier.” John Perry
                       Barlow, Stuart Brand, and other denizens of the WELL electronic bulletin board
                       network joined publishers of Wired magazine to cultivate and court the “Digital
                       Generation.”
                          Personal  computers  with  modems  and  software  applications  such  as  the
                       Mosaic Web browser permitted a mass market for Internet-ready machines by
                       1995. E-mail was a “killer app” that hooked new users. The development of
                       the free and open-source Linux operating system and the Apache Web server
                       software  platform  enabled  low-cost  Web  presence  for  Web  page  publishers;
                       and popular search engines, message boards, and chat rooms provided a sense
                       of direction in cyberspace for new (or “newbie”) users. The “Internet Christ-
                       mas” of 1998 inaugurated a takeoff phase for the diffusion of the Internet, as
                       personal computer makers bundled systems with user accounts for AOL and
                       other Internet service providers (ISPs). Internet Christmas signaled that the
                       unruly potentials of the Internet had been tamed for “e-commerce,” and that
                       commercialization would proceed apace without excessive risk of regulatory
                       interference.


                          TEChnoLogy anD PoLiCy
                          Telecommunications  policy  and  intellectual  property  law  reforms  in  the
                       United States were implemented to promote private capitalization of the In-
                       ternet. Federal policy makers exploited the utopian rhetorics of cyberspace to
                       promote the Internet as a commercial mass medium on the U.S. model of pri-
                       vate ownership. The Telecommunications Act of 1996 accomplished a large-
                       scale deregulation of information services to promote commercialization, even
                       as it attempted (unsuccessfully) to impose harsh censorship via the “Commu-
                       nications Decency Act.” Networking was protected from public interest regu-
                       lation, which gave upstart hardware and software developers more leeway in
                       competing with established media and telecom companies while providing in-
                       centives for established players to develop new business models largely free of
                       regulations.
                          Policy makers set the commercialization trajectory early in the Clinton ad-
                       ministration during the “National Information Infrastructure” (NII) discussions
                       organized by Vice President Albert Gore. This program unlocked markets for
                       carrying traffic and for providing content. The administration expanded the NII
                       principles globally to the “Global Information Infrastructure” (GII) guidelines,
                       as the “content” industries pressed for unprecedented intellectual property pro-
                       tections in what became the Digital Millennium Copyright Act (DMCA) in the
                       United States and the multilateral rules of the World Intellectual Property Or-
                       ganization (WIPO). The DMCA, more than any other legislation, helped effect
                       a “transition from an incentive model of copyright to a control model” that has
                       roiled the Internet’s cultures of sharing and gift economies ever since.
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