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                                      Contemporary Cultural Theory



                   for example (Gellner, 1997; Nairn, 1977; Nairn, 1997a), away from
                   formal, philosophical systems of thought and towards the needs
                   and aspirations of intelligentsias, understood as particular,
                   historically specific social groupings.
                      Benedict Anderson’s  Imagined Communities considerably
                   advanced this line of argument through its focus on the specific
                   nexus connecting intellectuals to the printing industries. Anation,
                   he wrote, ‘is an imagined political community...imagined as
                   both inherently limited and sovereign’ (Anderson, 1991, p. 15).
                   Nations are imagined in a very particular way, moreover: as
                   passing through a homogeneous empty time in which simul-
                   taneity is indicated only by temporal coincidence in terms of clock
                   and calendar. This is a distinctly modern type of imagination,
                   he observed, the technical preconditions for which are provided
                   by the novel and the newspaper. Print-capitalism has thus
                   been central to the rise of nationalism: the capitalist publishing
                   industry, driven by a restless search for markets, assembled the
                   multiplicity of pre-modern vernaculars into a much smaller num-
                   ber of print-communities, each of which prefigured a modern
                   nation. Anderson himself identified four main waves of nation-
                   alism: first, early American nationalism, in which language per
                   se was irrelevant, but in which printer-journalists, producing
                   self-consciously ‘provincial’ as opposed to ‘metropolitan’ news-
                   papers, powerfully shaped the development of national
                   consciousness; second, European popular nationalisms centred
                   on middle-class reading coalitions, which mobilised the popular
                   masses in opposition to the polyvernacular dynastic state; third,
                   the official nationalism of those polyvernacular dynasties that
                   sought, through ‘Russification’ or ‘Anglicisation’, to impose a
                   nationalism from above; and last, those anti-imperialist nation-
                   alisms in which an intelligentsia educated within the confines
                   of the colonial educational system came to imagine and later
                   constitute the colony itself as a nation.
                      Insofar as the former Soviet Union and the continuing United
                   Kingdom could each be construed as successors to the nineteenth-
                   century polyvernacular dynastic state, then Lithuanian and Welsh
                   nationalisms can be understood as contemporary variants of
                   nineteenth-century European popular nationalism. The more

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