Page 89 - Cultural Theory and Popular Culture an Introduction
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                                                                                  Althusserianism  73

                      (the ‘symptoms’ of a problem struggling to be posed) in the manifest text, to produce
                      and read the latent text. For example, a symptomatic reading of the film Taxi Driver
                      would  reveal  a  problematic  in  which  answers  are  posed  to  questions  it  can  hardly
                      name: ‘How does the Veteran return home to America after the imperial horrors of
                      Vietnam?’ At the heart of the film’s problematic are questions relating to real historical
                      problems, albeit deformed and transformed into a fantasy quest and a bloody resolu-
                      tion. A symptomatic reading of Taxi Driver, reading the ‘symptoms’ for evidence of an
                      underlying  dis-ease,  would  construct  from  the  film’s  contradictions,  its  evasions,  its
                      silences,  its  inexplicable  violence,  its  fairy-tale  ending,  the  central  and  structuring
                      absence – America’s war in Vietnam.
                        Another  example  can  be  seen  in  the  number  of  recent  car  advertisements  that
                      situate vehicles isolated in nature (for example, see Photos 4.1 and 4.2). This mode of
                      advertising,  I  would  argue,  is  a  response  to  the  growing  body  of  negative  publicity
                      which car ownership has attracted (especially in terms of pollution and road conges-
                      tion). To prevent this publicity having an adverse effect on car sales these criticisms
                      have to be countered. To confront them in a direct way would always run the risk of
                      allowing the criticisms to come between the car being advertised and any potential
                      buyer. Therefore, showing cars in both nature (unpolluted) and space (uncongested)
                      confronts  the  claims  without  the  risk  of  giving  them  a  dangerous  and  unnecessary
                      visibility. In this way, the criticisms are answered without the questions themselves
                      having been formally posed. The emphasis placed on nature and space is, therefore, a
                      response to the twin questions (which remain unasked in the advertisement itself but
                      exist in the assumptions which organize the advert – in the text’s ‘problematic’): does






























                        Photo 4.1  Advertising as an example of the ‘problematic’.
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