Page 94 - Cultural Theory and Popular Culture an Introduction
P. 94

CULT_C04.qxd  10/25/08  16:31  Page 78







                 78   Chapter 4 Marxisms




































                        Photo 4.3  Two figures on a beach.


                         In Althusser’s second formulation, ideology is still a representation of the imaginary
                      relationship of individuals to the real conditions of existence, only now ideology is no
                      longer seen only as a body of ideas, but as a lived, material practice – rituals, customs,
                      patterns of behaviour, ways of thinking taking practical form – reproduced through
                      the practices and productions of the Ideological State Apparatuses (ISAs): education,
                      organized religion, the family, organized politics, the media, the culture industries, etc.
                      According to this second definition, ‘all ideology has the function (which defines it)
                      of “constructing” concrete individuals as subjects’ (2009: 309). Ideological subjects are
                      produced by acts of ‘hailing’ or ‘interpellation’. Althusser uses the analogy of a police
                      officer  hailing  an  individual:  ‘Hey,  you  there!’  When  the  individual  hailed  turns  in
                      response, he or she has been interpellated, has become a subject of the police officer’s
                      discourse. In this way, ideology is a material practice that creates subjects who are in
                      turn subjected to its specific patterns of thought and modes of behaviour.
                         This definition of ideology has had a significant effect on the field of cultural stud-
                      ies and the study of popular culture. Judith Williamson (1978), for example, deploys
                      Althusser’s  second  definition  of  ideology  in  her  influential  study  of  advertising,
                      Decoding Advertisements. She argues that advertising is ideological in the sense that it
                      represents an imaginary relationship to our real conditions of existence. Instead of class
                      distinctions based on our role in the process of production, advertising continually
   89   90   91   92   93   94   95   96   97   98   99