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CULTURAL STUDIES AND THE CENTRE 3

            ‘Working Papers’, however, underlined the tentative character of this enterprise,
            as we saw it.
              In real  terms, its publication  and production  was made  possible by a small
            educational bequest made  over to the Centre by  Sir Allen Lane  and Penguin
            Books in the early days—and without strings—to give the Centre some small
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            independent financial support.  Otherwise the journal had no official sponsorship
            or financial support: it was self-financed and self-produced. In conception and
            execution it was a collective venture, the product of staff and students working
            together. With the Stencilled Paper series, which was initiated at about the same
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            time, it gave the Centre, and Cultural Studies, a necessary public presence.  The
            first  issue was  designed and overseen by Trevor  Millum,  one of our  first
            successful Ph.D students, in a period of post-thesis euphoria. 11
              The development of the Centre, and of Cultural Studies, can be resumed in a
            number of different ways. We look at three aspects in this introduction: first, the
            changes in theoretical perspective and  in  the  main problematics which have
            staked out the Centre’s development through the 1970s; second, the question of
            the different areas of concrete research in which the Centre has been centrally
            engaged; third, the modes of organization, the intellectual practices of analysis
            and research, through which that work has been practically realized.


                               Foundations of cultural studies
            The search for origins is tempting but illusory. In intellectual matters absolute
            beginnings are exceedingly rare. We find, instead, continuities and breaks. New
            interventions reflect events outside a discipline but have effects within it. They
            most often  work to  reorganize a  set of  problems or field of  inquiry.  They
            reconstitute existing knowledge under the sign of new questions. They dispose
            existing elements  into  new  configurations, establish new points  of departure.
            Cultural Studies, in its institutional manifestation, was the result of such a break
            in the 1960s. But the field in which this intervention was made had been initially
            charted in the 1950s. This earlier founding moment is best specified in terms of
            the originating texts, the original ‘curriculum’, of the field—Hoggart’s The Uses
            of Literacy, Raymond Williams’s Culture and Society and The Long Revolution,
            E.P.Thompson’s critique of the latter work and the ‘example’ of  related
            questions, worked  in a more  historical mode, in  The Making  of the English
            Working Class. 12
              These were not textbooks for the inauguration of a new discipline: though they
            were the results  of disciplined intellectual work of a high order. They were



            *This introductory survey was based on outlines proposed by Stuart Hall and Andrew
            Lowe. It was extensively discussed by the Editorial Group. The main text was drafted by
            Stuart Hall and revised in the light of comments offered by the Editorial Group and other
            members of the Centre.
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