Page 308 - Culture Society and the Media
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298 CULTURE, SOCIETY AND THE MEDIA
            and significance of an initial ‘problem’—that is, of what is defined as a problem
            by such agencies—is subject to increased magnification as the reality-defining
            practices of such agencies reciprocally sustain and complement one another. In
            the case of the ‘mods’ and ‘rockers’ incidents of 1964, this ‘amplification spiral’
            worked as follows: first, the national media dramatized the confrontations that
            took place at such resorts as Eastbourne and Margate; the moral crusaders and
            the local press then took up the problem; the police responded by introducing
            new policing measures; these led to  an increase in arrests and the magistracy
            responded by further dramatizing the ‘mods’ and ‘rockers’ in their court-room
            speeches—all of which was reported in the media, thereby adding another loop
            to the spiral.
              In this case, the moral panic sparked into life by this circuit of amplifying
            significations soon worked itself out—if only because  changes  in teenage
            fashions deprived the initial dramaturgy of much of its signifying potency. And,
            of course, one could argue  that the  immediate, tangible  consequences  of  the
            panic were limited in import—a localized abuse of police power, a few wrongful
            arrests and a handful of unduly harsh sentences. In their Policing the Crisis (also
            discussed in chapter 4 of this collection), however, Stuart Hall and his co-authors
            argue  that such moral panics—when  viewed  collectively and cumulatively—
            have played a major role in so orchestrating public opinion, via the production of
            a generalized law-and-order crisis, as to have recruited support for a significant
            extension of the arbitrary and coercive powers at the disposal of the state.
              This thesis  is set within the wider  context supplied  by an application of
            Gramsci’s concept  of hegemony to  the  contours of  post-war British  history.
            Briefly, the authors of Policing the Crisis contend that the period since the early
            1960s has witnessed the development of a deep and sustained crisis of hegemony
            in this country, a crisis which has rendered the production of popular consent to
            ruling-class  political and economic objectives  increasingly  problematic and
            which, thereby, has occasioned the need for the state to accumulate a reservoir of
            coercive powers which might be used to exact such compliance forcibly. The end
            of the post-war boom and the continued declining international competitiveness
            of the British economy, it is argued, have resulted in a marked sharpening of
            class conflict as an increasingly militant, unionized working class has resisted
            attempts to resolve the economic crisis by capitalist means—that is, by allowing
            unemployment to increase, the attempts to impose income restraints, cuts in the
            social services  and so on. This resistance  took its  most highly  effective and
            dramatic form in the miners’ strike in the winter of 1973–4 which, in challenging
            the ability  of  an elected  government to govern, bore clear testimony to an
            attenuation of ruling-class authority.
              If, at the political level, the resolution of this crisis has been sought by means
            of strengthening the powers of the state—particularly in regard to the sphere of
            industrial relations—Hall and his colleagues argue that support for such policies
            has been recruited chiefly by the way in which the crisis has been ideologically
            signified as a crisis of law and order. Whereas, in the earlier part of this period,
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