Page 123 - Decoding Culture
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116  D E C O D I N G   C U L TURE
           studies, reminding us that his and the CCCS' preferred terms of
           the  period are marxist  in their general  tenor,  if not in all  their
           detail.  He sees Williams, therefore, as a key figure,  uniting the
          recognition that culture is 'threaded through all social practices'
           (Hall,  1980b:  60)  with  an  attempt  to  reformulate  the  typical
           base-superstructure approach to culture found in orthodox marx­
           ist analysis. This view Hall characterizes as 'radical interactionism'
           in which human practices are conceived to stand in complex inter­
           relation, rather than specific  (material)  elements being singled out
           as ultimate determinants.  In developing  these ideas, Hall claims,
          Williams may still only be 'skirting the problem of determinancy'
           (ibid)  rather than  resolving it,  but it remains an  important topic
          with which Williams would continue to grapple in his later work.
           Indeed,  it  is  in  response  to  Thompson's  critique  of  The  Long
          Revolution, Hall suggests, that Williams recognizes the significance
           of the idea of 'struggle' in the cultural domain and the consequent
           importance of Gramsci's concept of 'hegemony' for rethinking the
           relation  between  culture  and  the  other elements  of social  life.
          These were ideas that would become central to the whole CCCS
           project.
             How,  then,  does  Hall  summarize  the  culturalist  tradition?
           Standing in opposition to models of the relationship between ideal
           and material that routinely give primacy to the economic base over
           the cultural superstructure, culturalism 'conceptualizes culture as
           interwoven with all social practices; and those practices, in turn, as
           a common form  of human  activity:  sensuous  human  praxis,  the
           activity through which men and women  make  history'  (ibid: 63).
           But this is not the whole story. Also central to culturalism is what
           Hall calls the 'experiential pull' of the perspective, an aspect which,
           along with its emphasis on the active contribution of social agents
           to making their own history, is a key element in forming the basic
           'humanism'  of the  position.  In Hall's view this leads culturalism





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