Page 151 - Decoding Culture
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144  D E C O D I N G   C U L TURE

          male protagonists who  (by a variety of means) subject female char­
          acters  to  their  will;  (2)  represents women as erotic spectacle,  as
          objects to be admired, arresting narrative progression to do so; and
           (3)  fetishizes the  female  body,  focusing  upon  different features
           (breasts,  legs,  hair,  etc.)  in  different historical  periods  and con­
          texts. Assuming we can agree that these are indeed widespread
          empirical features of Hollywood film - and it would be difficult not
          to do so - the task is to explain their presence, to answer the ques­
          tion: 'why is this so?'
             Reconstructed in this way, the logic of Mulvey's approach is to
          take a certain body of psychoanalytic thought as foundational and
          therefore giving access to the patriarchal unconscious, derive from
          that theoretical material an account of the basic pleasures of look­
          ing which are (it is assumed) implicated in cinematic form, and go
          on to show how the satisfaction of these pleasures, in conjunction
          with a presumed need to disavow the castration threat, explains the
          observed phenomena. This  chain  of reasoning can usefully  be
          given diagrammatic representation (see Figure 1) .
             Several  structural features of the  argument are  immediately
          apparent from the figure. First, it depends entirely on prior accep­
          tance of the apparatus of Freudian and Lacanian psychoanalytic
           theory  and on a reading  of that  theory  which  presumes  that  it
          gives  privileged  access  to  'the  unconscious  of  patriarchy'.
          Secondly,  the  explanatory  chain  founded  on  the  triplet  of
          scopophilia, castration anxiety and narcissistic ego identification
          applies in two distinct areas (visual and narrative) and gives rise to
          two distinct kinds of claim in each: one founded on the need to dis­
          avow  castration,  the  other  on  the  specific  form  of  pleasure
          involved  (scopophilia,  narcissistic  ego  identification) .  Thirdly,
          and  related  to  that  division,  scopophilia  and  narcissistic  ego
          identification  are general psychic  processes  (that is,  they refer
          to pleasures available to male and female)  that are here given a





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