Page 169 - Decoding Culture
P. 169

162  D E C O D I N G   C U L TURE

          the grain? Much feminist political practice was committed to this
          strategy,  arising in considerable  part from the  doctrine  that the
          'personal  is political'. This  crystallized  in an  acute  form  the  evi­
          dent  contradictions  between,  on  the  one  hand,  a  view  that
          recognized the enormous power of patriarchal ideology and, on the
          other, a political commitment to resisting that power wherever it
          was  manifest.  In  dealing  with  this  contradiction,  feminist
          researchers, whether concerned to defend women's cultural forms
          such as soap opera and romances or to raise more general ques­
          tions of female  spectatorship, lent considerable impetus to  those
          arguing for a more active conception of readership in cultural stud­
          ies. The strong ideology theories of the 1970s were already facing
          difficulties by the end of that decade; feminist work of the  1980s
          greatly accelerated their decline.
             This growing focus on the nature and activity of gendered 'read­
          ers'  foregrounded  the  interrelated  topics  of the  constitution  of
          gendered pleasure and, more generally, gender identity. This, too,
          was both influenced by and influential upon broader trends in cul­
          tural  studies.  The  pleasures  afforded  by  culture  had  been
          systematically neglected in both main cultural studies traditions. So
          concerned had analysts been to demonstrate the ideological power
          of texts that they had all but forgotten that such power was depen­
          dent on readers taking pleasure from those texts in the first place.
          The terms of post-structuralism - including, it should be said, the
          very general concepts of plaisir and jouissance so often borrowed
          from Barthes - afforded little leverage to those wanting to under­
          stand the specifics of the pleasures readers took from texts.  One
          response to that limitation was empirically to examine the process
          of reading itself, with a view to developing a more detailed sense of
          what was  involved. The so-called 'ethnographic  turn'  in cultural
          studies  was  central  to  this  project,  a  shift  in  which  feminist
          research played a crucial part. A second, less empirically focused





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