Page 164 - Decoding Culture
P. 164

G E N D E R ED SUB E C TS, WOMEN'S TEXTS   157
                                        J
             This  issue  of gendered  pleasure  is  the  second  of my  four
           themes.  If women  are  seen  to  respond  positively to  certain  cul­
           tural  forms,  such  as  soap  opera and  romances,  what  is  it  about
           those  forms which makes  them  gender  specific  in their appeal?
           Much  of the  1980s  literature revolves around this question,  and
           two kinds of answers are proposed. One works by identifying par­
           ticular features of the texts under consideration which, by common
           consent, might be expected to appeal to women. The other pushes
           the question somewhat further,  advancing general theories as to
           why the  pleasures provided  should  be characteristically female.
           Theoretically,  of course,  the  latter  is essential  to  the  former  -
           'common consent' on what constitutes women's pleasure is always
           in need of explanation and theorizing - and much-remarked textual
           features (for example strong female characters in soap opera) only
           appear  to  have  self-evident gender  appeal  because  of 'common­
           sense'  assumptions  we  make  about  gendered  pleasure.
           Furthermore, without such theorization there  is always a risk of
           circularity,  of presupposing that because some form of culture is
           seen as a 'women's genre' it necessarily caters to gender-specific
           needs and desires.
             I shall not examine theories of gendered pleasure in any detail
           here. The important  thing to  note for present purposes  is  that,
           whatever the specifics of these theories, they invariably postulate
           a  distinctive  gendered  identity  (my  third  theme)  from  which
           emerge  the  needs,  tastes  and  desires  in  which  pleasure  is
           grounded. In the older strong ideology models, gender identity is
           itself a  product of patriarchal  ideology,  such that culture  both
           forms women's  needs  and then  goes  on to  satisfy  them.  In this
           way patriarchal society finds its own means to preserve the status
           quo. But where the constraints of traditional ideology models are
           loosened - as they are increasingly in feminist cultural  studies -
           other  sources  are  posed  for the formation  of gendered  identity.





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