Page 161 - Decoding Culture
P. 161

154  D E C O D I N G   C U L TURE

           ideological force'. This is not just a reflection of the wider theoret­
           ical doubts then emerging about 'top-down' ideology-based models
           of culture, but also a manifestation of the growing feminist concern
           to document women's 'lived experience'. This was always apparent
           in the ethnographic  aspect of McRobbie's  studies of young girls'
           culture, but in the 1980s - as in both cultural studies and feminism
           more generally - it was to grow in significance. When McRobbie
           returned to girls' magazines at the end of the 1980s, a whole new
           literature  had  developed.  Not  only  on  women's  magazines and
           romantic fiction, which were now 'recognized as key cultural forms
           reflective of distinctively feminine pleasures' (ibid: 135), but also in
           the developing fields of reception studies and theories of reader­
           ship.  In this context it is notable that,  as well as  recognizing the
           decline  of romance  as  a  central  topic  in the  1980s  magazines,
           McRobbie no longer views the discourse  as  ideologically con­
           straining to the degree that she did in the earlier study. Times had
           changed, empirically and theoretically.
             In  due  course  these  changes would  see  the  study of culture
           'quite  dramatically  transformed  as  questions  of modernity and
           postmodernity  [have] replaced the more familiar concepts of ide­
           ology and hegemony' (McRobbie, 1991b: 1) . But that is a topic for
           the next chapter.  Here I am  more concerned to examine the dis­
           tinctively  feminist  element  in  the  1980s  decline  of  top-down,
           textually  oriented  theories.  We  have  seen  in  the  pattern  of
           McRobbie's work how an initial determination to render women
           visible in cultural studies and sociology progressed through a cri­
           tique  of existing  work  toward  a  comprehensive  'gendering'  of
           theory.  This  was  succeeded by an  increasingly  distinctive  focus
           on women's culture, a focus which attended appreciatively to forms
           of culture previously neglected or denigrated yet retained varying
           degrees of commitment to the view that 'female forms' were a vital
           part of the  ideological  apparatus  of patriarchal  domination. This





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