Page 168 - Decoding Culture
P. 168

G E N D E RED SUBJE C TS, WOM  E N ' S TEXTS   161

          debate. As we have seen, the terms in which this topic came to the
          fore derived from Mulvey's work, whether staying broadly within
          its framework or reacting against it. The idea that texts,  cultural
          forms, and even whole discourses might construct their users as
          gendered subjects proved helpfully provocative, immediately rais­
          ing  two  kinds  of general  questions  about  spectatorship.  What
          features of cultural artefacts allow them to produce certain kinds of
          gendered  response? What is it about gendered  individuals that
          leads them to respond in distinctive ways? In approaching the first
          question, researchers drew upon the established traditions of post­
          structuralist textual analysis to elucidate the part played by gender
          and patriarchy in forming processes of signification. At its simplest
          this led to analyses of the 'images of women' type, uncovering the
           (stereotypical) ways in which women were represented in culture.
          But such work was rapidly overtaken by a more far-reaching exam­
          ination  of  the  terms  of signification  itself,  a  form  of theorizing
          typified by Mulvey's account of the patriarchal character of classi­
          cal Hollywood discourse. At the same time, this analysis of textual
          systems required some way of conceptualizing the gendered char­
          acter of individual responses, not simply to deal with the problem
          posed  for  a female  audience  faced  with  Mulvey's  'male'  subject
          position, but also to reconcile the social and historical subject with
          that constructed textually.
             As it did more  generally in  1980s cultural  studies, this tension
          between 'real' and 'textual' subjects fed into most other significant
          developments. So in the second of my areas of feminist influence,
          the issues were the familiar ones of the relations between ideology,
          the process of 'reading', and the potential for political and cultural
          resistance, but given a distinctive feminist twist. If the texts of pop­
          ular culture were imbued with patriarchal ideology, both in their
          form and their content, was there any possibility of resisting the
          force of this ideology by, among other methods,  reading against





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