Page 173 - Decoding Culture
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166  D E C O D I N G   C U L TURE

           social activity;  but it also reflects  and  refracts  that activity in an
           ongoing circle of production and reproduction.
              In the first two decades of cultural studies' growth,  it was the
           constraining aspects of culture that were to the analytic fore.  In
           part that was a consequence of the contingent connection forged
           between  various forms  of 'new'  marxism and the  emergent  cul­
           tural studies of the late  1960s, but it also reflected structuralism's
           own conceptual imperatives. Without first establishing the system­
           atic structuring capacities of semiotic systems one could not hope
           to go on to examine those systems in use, and the codes through
           which langue functioned had to be understood before it was possi­
           ble  to  approach  questions of diversity  and  polysemy in parole.
           Accordingly, a 'top-down' approach to culture, one in which social
           agents were largely on the receiving end of cultural determination,
           was always the most likely initial model in structuralist-influenced
           cultural studies. Add to that a marxisant concern with the role of
           ideology  in  sustaining capitalist social  and  economic  structures,
           and we find the distinctive forms of post-structuralism that charac­
           terize the theoretical traditions associated with Screen theory and
           the CCCS. In these traditions, as they were initially formulated at
           least, culture is all but exhausted by its ideological function.
             This  reduction  of culture  to  ideology,  and  the  concomitant
           emphasis on its presumed power to constrain and control individ­
           uals, was also apparent in the first feminist interventions in cultural
           studies, particularly in their concern to document patriarchal ide­
           ology  in  action.  However,  as  we  saw  in  the  last  chapter,  the
           underlying tension between structural constraint and active agency
           becomes increasingly prominent in feminist cultural studies, not
           least  because  the  evident  pleasures  afforded  to  women  by
           'women's culture' were unintelligible within the terms of conven­
           tional ideology theories - they could  only be dismissed as  'false
           consciousness'. Hence feminism's ongoing interest in such topics





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