Page 85 - Decoding Culture
P. 85

78  D E C O D I N G   C U L TURE

          latter term remained descriptive and under-theorized in his work,
          that was  a deficiency for  which  later structuralists  would  more
          than  compensate.  The  problem  of formulating an  appropriate
          theory of ideology was to dominate cultural studies for many years
          to come. His concern with connotation also led him to begin to for­
          mulate  the  role  of  cultural  codes  in  the  workings  of  semiotic
          systems,  a  feature  which  is  apparent  in  his  study  of  fashion
          (Barthes,  1983)  and  in  the  rather  different  concept  of  code
          deployed in S/Z, where, he says, contra orthodox semiology, he is
          'concerned not to manifest a structure but to produce a structura­
          tion'  (Barthes,  1990:  20) .  The  idea  of code,  too,  was  to  play an
          important role in subsequent cultural studies, though not always
          with the processual emphasis that Barthes seems to intend here.
          And lastly,  in  parallel  with  his  displacement  of  authorship,  he
          begins  to  envisage the  reading of texts more  positively than  in
          much early structuralism, postulating a reader who is 'no longer a
          consumer,  but a  producer of the  text'  (ibid:  4) ,  who  is  already
          caught up in a plurality of texts and codes, and for whom reading is
          work, 'a labour of language'  (ibid:  10-11) . But by then, of course,
          Barthes - the 'man of parts' - is no longer the formal semiologist of
          his  early years,  and  his  structuralism is edging toward what will
          come to be thought of as post-structuralism.
            Barthes and Levi-Strauss bend structuralism  (and hence early
          cultural  studies)  in distinctive  directions,  not  always  consistent
          with each other and, in Barthes' case, changing significantly over
          time. Their motifs, the theoretical and methodological topics that
          they emphasize,  include formal analysis of texts,  a concern with
          unconscious structures,  systematic  binarism,  a desire to  decode
          langue in multiple contexts, myth analysis, connotative semiotics,
          deciphering naturalized messages of ideology, and displacing the
          subject, all of which feature in the first flowering of structuralist cul­
          tural studies. And their characteristic omissions - a fully theorized





                              Copyrighted Material
   80   81   82   83   84   85   86   87   88   89   90