Page 238 - Inside the Film Factory New Approaches to Russian and Soviet Cinema
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NOTES 219
               9 M.Aleinikov,  ‘Zapiski  kinematografista.  Vospominaniya’  [Notes  of  a
                 Cinematographer. Memoirs], TsGALI (Central State Archive of Literature and Art),
                 2734/1/19, p. 33.
              10 Valeri Bryuov (1873—1924), leading Russian Symbolist poet.
              11 Aleinikov, p. 34.
              12 M.A.  [Moisei  Aleinikov], ‘Khudozhestvennaya postanovka i sinematograf’ [Artistic
                 Production and the Cinematograph], Cine-Phono, no. 3 (1907), p. 1.
              13 Khanzhonkov and Pathé were the two leading film companies in Russia at that time.
              14 N.I.Orlov, ‘Pervye kinos”emki v Rossii’ [The First Filming in Russia], Central Film
                 Museum Archive, Moscow.
              15 Peterburzhskaya gazeta [The Petersburg Gazette], no. 161, 15 June 1907.
              16 Orlov, p. 6.
              17 ibid., pp. 7—8.
              18 ibid., p. 7.
              19 ibid., p. 8.
              20 ibid.
              21 Aleinikov, p. 45.
              22 F.Otsep, Kinematograf [Cinema] (Plan for a book), TsGALI, 2734/1/72.
              23 I.Petrovskii, ‘Kinodrama ili kinopovest’?’ [Film Drama or Film Story?], Proektor, no.
                 20 (1916), p. 3.
              24 Proektor, no. 19 (1916), p. 11.
              25 Proektor, no. 9 (1916), p. 15.
              26 Petrovskii, p. 3.
              27 V.R.Gardin, Vospominaniya [Memoirs], vol. 1:1912—21 (Moscow: 1949), p. 151.
              28 V.Gaidarov, V teatre i kino [In Theatre and Cinema] (Moscow: 1966), pp. 101—2.
              29 I.Mozzhukhin [Mosjoukine], ‘V chem defekt?’ [Where Lies the Defect?], Teatral’naya
                 gazeta, no. 30 (1915), p. 13.
              30 Teatral’naya gazeta, no. 19 (1914), p. 11.
              31 Teatral’naya gazeta, no. 43 (1915), p. 16.
              32 A.Levinson, ‘O nekotorykh chertakh russkoi kinematografii’ [Some Character istics
                 of Russian Cinema],  Poslednie novosti [The Latest  News] (Paris), no. 1512, 29
                 March 1925.
              33 Petrovskii, p. 3.
              34 Moscow Art Theatre Museum, 5323/1250.
              35 Petrovskii, p. 3.
              36 Proektor, no. 17 (1916), p. 3.
              37 A.Voznesenskii,  ‘Kinodetstvo’ [Cinema Childhood],  Iskusstvo kino [The Art of
                 Cinema], no. 11 (November 1985), p. 93.
              38 V.Meierkhol’d [Meyerhold], ‘Portret Doriana Greya’ [The Picture of Dorian Gray], in
                 Iz istorii kino 6 (Moscow: 1965), p. 24.
              39 ‘Mister  Ray’, ‘Leonid Andreyev u  Tolstogo’ [Leonid  Andreyev at  Tolstoy’s],  Utro
                 Rossii [The Morning of Russia], no. 134 (29 April 1910), p. 2.
              40 I have used the term ‘speaking picture’ for the Russian ‘kinogovoryashchaya kartina’
                 to distinguish it from the rather different ‘talking picture’ [govoryashchaya kartina]
                 which emerged in the late 1920s. (Translator’s note)
              41 Ya.Zhdanov, ‘Po Rossii s kinogovoryashchimi kartinami’ [Through Russia  with
                 Speaking Films],  Central Cinema Museum Archive, pp. 2—3. The film to which
                 Zhdanov referred was the early Lumière short L’Arrivée d’un train en gare de La Ciotat
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