Page 239 - Inside the Film Factory New Approaches to Russian and Soviet Cinema
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220 INSIDE THE FILM FACTORY
                 [The Arrival of a Train at La Ciotat Station, France, 1895], which formed part of the
                 first cinematograph programmes.
              42 K.Novitskaya,  ‘Vospominaniya  o stareishem rezhissere Petre  Ivanoviche
                 Chardynine’ [Memoirs of the Senior Director Pyotr Ivanovich Chardynin], Central
                 Cinema Museum Archive, no page nos.
              43 Zhdanov, p. 3.
              44 L.Forest’e [Forestier], Velikii nemoi [The Great Silent] (Moscow: 1945), p. 55.
              45 Zhdanov, p. 5.
              46 Novitskaya.
              47 Cine-Phono, no. 3 (1913), p. 26.
              48 M.Daniel’, Pervyi raz v kino [First Time at the Cinema] (Moscow/Leningrad: 1940),
                 p. 13.
              49 Zhdanov, p. 11.
              50 Novitskaya.
              51 M.Malthête-Méliès, Méliès l’enchanteur [Méliès the Enchanter] (Paris: 1973), pp. 398—
                 9.
              52 ‘Agasfer’, ‘Maks Linder v Peterburge’ [Max Linder in St Petersburg], Kinokur’er [Cine-
                 Courier], no. 1 (1913), p. 15.
              53 P.Konradi, ‘Teatr i kinematograf’ [Theatre and Cinema], Kinematograficheskii teafr-
                 [Cinema Theatre], no. 15 (1911), p. 6.
              54 Artist i stsena [The Artist and the Stage], no. 10 (1911), p. 22.
              55 ‘Impressionist’ [B.Bentovin], ‘Samooborona’  [Self-Defence],  Teatr i  iskusstvo
                 [Theatre and Art], no. 40 (1911), p. 740.
              56 E.Beskin,  ‘Karamazovy na stsene’  [Karamazov on Stage],  Rannee utro [Early
                 Morning], 15 October 1910.
              57 V.I.Nemirovich-Danchenko,  Izbrannye pis’ma [Selected Letters]  (Moscow:  1979),
                 vol. 2, p. 42.
              58 ibid., p. 43.
              59 ‘Impressionist’, p. 740.
              60 Teatral’naya gazeta, no. 12 (1913), p. 11.
              61 Gardin, pp. 79—80.
              62 E.Beskin, ‘Ne tovarishch’ [Not a Comrade], Teatral’naya gazeta, no. 47 (1914), p.3.
              63 P.Orlenev,  Zhizn’  i  tvorchestvo russkogo aktera Pavla Orleneva, opisannye im
                 samim [The Life and Work of the Russian Actor Pavel Orlenev as Described by
                 Himself] (Leningrad/Moscow: 1961), pp. 251—2.
              64 Teatr, no. 1684 (1915), p. 3.
              65 ibid.

                                            2
            KULESHOV’S EXPERIMENTS AND THE NEW ANTHROPOLOGY
                                    OF THE ACTOR
                                     Mikhail Yampolsky

               1 Yu.A.Ozarovskii, ‘Sushchnost’ mimicheskogo ucheniya Del’sarta’ [The Essence of
                 Delsarte’s  Teaching on Mime],  Golos i  rech’ [Voice  and  Speech], no. 1 (January
                 1913), p. 5.
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