Page 241 - Inside the Film Factory New Approaches to Russian and Soviet Cinema
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222 INSIDE THE FILM FACTORY
              38 Gardin, p. 174.
              39 ibid., p. 195.
              40 L.V.Kuleshov, ‘Chto nado delat’ v kinematograficheskikh shkolakh’ [What Must Be
                 Done in Film Schools], probably written in 1921 and first published in: LVK, p. 158.
              41 ibid.
              42 ibid., p. 159.
              43 ibid., p. 160.
              44 ibid.
              45 Cited in: ibid., p. 134.
              46 Kuleshov and Khokhlova, pp. 68—9.
              47 V.T. [V. Tikhonovich], ‘Zakonomernyi teatr’ [Regulated Theatre], Vestnik iskusstv
                 [Herald of the Arts], no. 1 (1922), pp. 12—13.
              48 B.Ferdinandov, ‘Teatr segodnya’ [Theatre Today] in the book O teatre [On Theatre]
                 (Tver: 1922), p. 47.
              49 ibid., p. 44.
              50 ibid., p. 46.
              51 N.L’vov, ‘Analiticheskii teatr’ [Analytical Theatre], Vestnik iskusstv, no. 2 (1922), pp.
                 5—6.
              52 I.Sokolov,  ‘Metro-ritm Ferdinandova’ [Ferdinandov’s Metro-Rhythm],  Vestnik
                 iskusstv, no. 3/4 (1922), p. 15.
              53 L.V.Kuleshov, ‘Kinematograf kak fiksatsiya teatral’nogo deistviya’ [Cinema as the
                 Fixing of Theatrical Action], Ermitazh, no. 13 (8—13 August 1922), p. 15; reprinted in
                 LVK, p. 116; translated in: FF, pp. 66—7.
              54 ‘Plan rabot eksperimental’noi kinolaboratorii na 1923/24 god’, first published in: LVK,
                 p. 199.
              55 Volkonskii, Otkliki, p. 188.
              56 N.M., ‘Ballet i kinematografiya’ [Ballet and Cinematography], Ekran, no. 22 (21—28
                 February 1922), p. 4.
              57 V.Turkin, Kino-akter [The Cinema Actor] (Moscow: 1925), pp. 9—10.
              58 ibid., p. 10.
              59 A.Belenson,  Kino  segodnya. Ocherki  sovetskogo kino-iskusstva (Kuleshov-Vertov-
                 Eizenshtein) [Cinema  Today. Essays in  Soviet Cinema Art  (Kuleshov-Vertov-
                 Eisenstein)] (Moscow: 1925), p. 23.
              60 L.V.Kuleshov,  Iskusstvo kino  [The Art of  Cinema] (Moscow:  1929), pp. 24—7;
                 translated in: Levaco, p. 51.
              61 I.Sokolov, ‘Industrializatsiya zhesta’ [The Industrialisation of Gesture], Ermitazh, no.
                 10(July 1922), p. 6.
              62 ibid., p. 7.
              63 O.Bir, ‘Chelovek i mashina. Kino i teatr’ [Man and Machine, Cinema and Theatre],
                 Vestnik iskusstv, no. 3—4 (1922), p. 14.
              64 ibid.
              65 A.Gan, ‘Kino-tekhnikum’ [The Cine-Technicum], Ermitazh, no. 10 (July 1922), p.11.
              66 ‘Istoriya gosudarstvennogo  Instituta Kinematografii’,  Kino-Fot, no. 3 (19—25
                 September 1922), pp. 8—9.
              67 A.Voznesenskii, Iskusstvo ekrana. Rukovodstvo dlya kino-aktërov i rezhissërov [The
                 Art of the Screen. A Guide for Film Actors and Directors] (Kiev: 1924) pp. 121—2.
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