Page 245 - Inside the Film Factory New Approaches to Russian and Soviet Cinema
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226 INSIDE THE FILM FACTORY
                 Preobrazhenskii, p. 90. On precedents for the portable cinemas, see: M.L. Sanders,
                 ‘British Film Propaganda in Russia, 1916—1918’, Historical Journal of Film, Radio &
                 Television, vol. 3, no. 2 (1983), pp. 117—29; Taylor, p. 9. On the intensive utilisation of
                 the rail system, see: Campbell, pp. 150—1.
              21 Nove, pp. 83—90.
              22 Dobb, pp. 132—8.
              23 Vladimirtseva and Sandler, vol. 1, p. 23; Marchand and Weinstein, pp. 45—57;
                 S.Bratolyubov, Na zare sovetskoi kinematografii [At the Dawn of Soviet Cinema]
                 (Leningrad: 1976), p. 13.
              24 A.M.Gak, ‘K istorii sozdaniya Sovkino’ [Towards a History of the Creation of
                 Sovkino],  Iz istorii kino 5  (Moscow: 1962), p. 131; A.V.Ryazanova  et al. (eds),
                 Lunacharskii o  kino [Lunacharsky on Cinema] (Moscow: 1965), pp.  29—35;
                 Vladimirtseva and Sandler, vol. 1, p. 23; Babitsky and Rimberg, pp. 270—1. The value
                 of  the rouble  fluctuated during the  1920s, but the exchange rate  of  gold-backed
                 currency averaged about two roubles to the US dollar.
              25 Gak, pp. 134—5; Ryazanova, pp. 22—4, 28—35.
              26 Nove, p. 89; E.H.Carr, A History of Soviet Russia (14 vols, London: 1954—78), vol. 5,
                 pp. 454—5.
              27 Gak, pp.  134—5;  Vladimirtseva and  Sandler,  vol. 1, p. 30; Ryazanova,  p.  264;
                 Smirnova, pp. 105—7, 169—70.
              28 Y.A.L’vunin, ‘Organizatsiya Mezhdunarodnaya Rabochaya Pomoshch’ i sovetskoe
                 kino’ [The Workers’ International Relief Organisation and Soviet Cinema], Vestnik
                 Moskovskogo universiteta, 9th series,  no. 4 (1971), pp. 21—6; Yu.A.L’vunin and
                 I.Polyanskii, ‘Blagodarya lichnomu sodeistviyu V.I.Lenina’ [Thanks to Lenin’s
                 Personal Assistance], Iskusstvo Kino (January 1978), pp. 7—8.
              29 L’vunin and Polyanskii, pp. 6—8; L’vunin, pp. 27—33; W.Münzenberg, Solidarität: Zehn
                 Jahre Internationale Arbeiterhilfe, 1921—1931 (Berlin: 1931), pp. 519—20.
              30 L’vunin and Polyanskii, p. 8; Münzenberg, pp. 510—13.
              31 Vladimirtseva and Sandler, vol. 1, pp. 24—6, 30; Gak, p. 132; New York Times, 5
                 August 1932, sec. 2, p. 1..
              32 Ryazanova, p. 262; Smirnova, p. 42; the Lenin quotation is translated in: FF, p. 57.
              33 Nove, p. 89; Carr, vol. 5, pp. 441—4, and vol. 10, p. 708.
              34 On the government’s foreign trade monopoly, see: A.Nove, The Soviet Economic
                 System (London: 1977), pp. 267—87; on the USSR’s general procedures for importing
                 foreign films, see: B.Kepley and V.Kepley, ‘Foreign Films on Soviet Screens, 1922—
                 1931’, Quarterly Review of Film Studies, vol. 4, no. 4 (1979), pp. 429—42.
              35 Gak, p. 136; V.Golovskoi (ed.), Kino i zritel’ [Cinema and the Audience] (Moscow:
                 1968), p. 14. See above, ch. 3, n. 18.
              36 Gak, pp. 133—8; Vladimirtseva and Sandler, vol. 1, pp. 27—9.
              37 Nove, Economic History, p. 103; Dobb, pp. 142—3.
              38 Vladimirtseva and Sandler, vol. 1, pp. 28—9; Gak, pp. 139—41.
              39 The number of operating commercial theatres dropped to 20 per cent of the 1917
                 level in Ural-Siberia, for example, 20 per cent in Samarkand,  50 per cent in
                 Tashkent, and 40 per cent in Rostov: Gak, p. 136.
              40 Gak, pp. 139—44.
              41 ibid., pp. 141—4; Vladimirtseva and Sandler, vol. 1, pp. 30—1.
              42 M.D.Kann (ed.), Film Daily Yearbook—1927 (New York: 1928), pp. 949—50; idem, Film
                 Daily Yearbook—1930 (New  York: 1931),p. 1043;  Economic Review  of the Soviet
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