Page 240 - Inside the Film Factory New Approaches to Russian and Soviet Cinema

NOTES 221
2 J.d’Udine [Zh. D’Udin], Iskusstvo i zhest [Art and Gesture] (St Petersburg: 1912), p.
73.
3 ibid., p. 95.
4 ibid., p. 22.
5 ibid., p. 100.
6 ibid., p. 220.
7 S.Volkonskii, Chelovek na stsene [Man on Stage] (St Petersburg: 1912), p. 150.
8 ibid. p. 127.
9 S.Volkonskii, Vyrazitel’nyi chelovek. Stsenicheskoe vospitanie zhesta (po Del’sartu)
[Expressive Man. Stage Gesture Training (after Delsarte)] (St Petersburg: 1913), p.
79.
10 Cited in: S.Volkonskii, Otkliki teatra [Theatre’s Responses] (Petrograd: 1914), p.
123.
11 ibid., p. 152.
12 ibid., p. 169.
13 ibid., p. 178.
14 Volkonskii, Vyrazitel’nyi chelovek, p. 132.
15 V.R.Gardin, Vospominaniya [Memoirs], vol. 1:1912—21 (Moscow: 1949), p. 143.
16 ibid., p. 139.
17 ibid., p. 170.
18 ibid., p. 178.
19 L.V.Kuleshov and A.S.Khokhlova, 50 let v kino [50 Years in Cinema] (Moscow: 1975),
p. 74.
20 See: E.Gromov, L.V.Kuleshov (Moscow: 1984), p. 103.
21 The Film School became GTK in 1925—30 and then GIK in 1930—4, since when it has
been called VGIK.
22 Kuleshov and Khokhlova, pp. 74—5.
23 Gardin, p. 52.
24 ibid., p. 134.
25 ibid., p. 120.
26 ibid., p. 138.
27 ibid., p. 192.
28 ibid.
29 ibid., p. 203.
30 Golos i rech’, no. 3 (March 1913), p. 26.
31 V.Turkin, ‘Litsedei i naturshchiki’ [Simulators and Models], Kino-gazeta, no. 29 (July
1918).
32 A.Lee, ‘Ekran i ritm’ [The Screen and Rhythm], ibid.
33 ibid.
34 ibid.
35 L.V.Kuleshov, ‘Iskusstvo svetotvorchestva’ [The Art of Cinema] (svetotvorchestvo,
literally ‘light creation’, was one of the early Russian words for cinema), Kino-gazeta,
no. 12 (March 1918); FF, pp. 45—6.
36 L.V.Kuleshov, ‘Znamya kinematografii’ [The Banner of Cinema], first published in:
LVK, p. 90.
37 Strzhigotskii (pseudonym of V. Turkin), ‘Spor o printsipakh ili bor’ba za stil’? [An
Argument about Principles or a Battle for Style?], Kino (Moscow), no. 1 (20 October
1922), p. 11.