Page 124 - Literacy in the New Media Age
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MULTIMODALITY, MULTIMEDIA AND GENRE 113

            that there might be those who would wish to reproduce those actions. Here there
            are those with the power or authority to order actions to be taken, and those who
            carry  out  the  actions.  This  is  very  different  to  the  recount.  It  is  no  longer  the
            friendly  telling  of  what  happened  so  that  you  might  do  the  same;  this  is  being
            told what to do. The claim made implicitly in the procedure is one of relations of
            power, actions and intended outcomes. This is not a realist genre in the manner
            of  the  recount;  it  is  not  a  report  of  real  events  or  actions  of  actual  people,  of
            events which have happened. It is a set of commands (in the syntactic form of
            imperatives) for actions that are to happen.
              As  in  the  first  example,  the  written  text-part  is  generically  complete.  Its
            relation to the world of the everyday is different; it is not the world of everyday
            happenings.  This  is  a  world  in  which  power  exists,  and  those  with  power  can
            insist on actions being taken in a specific way and in a certain sequence. These
            are social relations of a very different kind. In the recount we could be sure that
            all the significant events were there, even though there might also be others. For
            instance, in the recount we are told that ‘it was interesting to look at and draw’.
            In the procedure we have only those potential actions (as commands) which are
            essential  to  the  carrying  out  of  a  task  which  already  exists  as  a  prestructured
            schema.
              In terms of communicational roles, there is a big difference: the text overall is
            a set of instructions, and the individual segments are commands to carry out the
            instructions as they are indicated. Consequently, the roles here are of a different
            kind: to act in a world in accord with the commands of some other with power, with
            clear procedures and in accordance with those procedures. The reader is not in
            the world of their everyday life. My role is to carry out commands issued by some
            (institutional) authority.
              That also describes the relation between the world of this written text and the
            everyday world: they are different. In this world I have less power than others.
            The  manner  in  which  I  am  drawn  into  the  text  is  by  command,  by  means  of
            power, and not as before, by the pleasure or interest of the recount. The world
            projected here is the world of precise procedures which those who are a part of
            this world must follow. It is not the everyday world of these students: there is no
            (implicit)  claim  here  that  the  world  of  scientific  practices  is  like  the  world  of
            their everyday practices.
              The drawing differs from that in the first example. One clue is provided in the
            instructions:  ‘Search  for  pattern  like  a  honeycomb’.  In  his  talk  the  teacher  had
            provided  the  metaphor,  among  others,  of  the  honeycomb:  ‘it  might  look  like  a
            honeycomb’.  In  the  case  of  both  texts  a  metaphor  provided  in  language  –  in
            writing  in  the  one  instance  –  ‘what  you  will  see  will  be  like  bricks  in  a  brick
            wall’ – and in talk in the other – has been transducted by the pupils into visual
            form. Let me follow the steps that I took in analysing both the written and the
            visual  elements  of  the  first  example.  The  drawing  shows  a  strongly  delineated
            circle,  with  elements  of  different  kinds  contained  in  the  circle.  What  is
            represented  ‘in’  the  image,  and  what  is  represented  by  the  image  overall,  as  a
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