Page 38 - Living Room Wars Rethinking Media Audiences for a Postmodern World
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               On the politics of empirical audience research



        In his pioneering book, The ‘Nationwide’ Audience, David Morley situates his research
        on which the book reports as follows:

              The relation of an audience to the  ideological operations of television
              remains in principle an empirical question: the challenge is the attempt to
              develop appropriate methods of empirical investigation of that relation.
                                                          (Morley 1980a:162)

        Although  this  sentence may initially be interpreted as a call for a methodological
        discussion about empirical research techniques, its wider meaning should be sought in the
        theoretical and political context of Morley’s work. To me, the importance  of  The
        ‘Nationwide’ Audience does not so much reside in the fact that it offers an empirically
        validated, and thus ‘scientific’, account of ‘the ideological operations of television’, nor
        merely in its demonstration of some of the ways in which the television audience is
        ‘active’. Other, more wide-ranging issues are at stake—issues related to the politics of
        research.
           Since its publication in 1980, The ‘Nationwide’ Audience has played an important role
        in media studies. The book occupies a key  strategic  position  in the study of media
        audiences—a field of study that went through a rapid development in the 1980s. It seems
        fair to say that this book forms a major moment in  the  growing  popularity  of  an
        ‘ethnographic’ approach on media audiences—Morley himself has termed his project an
        ‘ethnography of reading’ (1981:13). This type of qualitative empirical research, usually
        carried out in the form of in-depth interviews with a small number of people (and at times
        supplemented with some form of participant observation), is now recognized by many as
        one of the best ways to learn about the differentiated subtleties of people’s engagements
        with television and other media.
           This ‘ethnographic’ approach has gained  popularity in both ‘critical’ media studies
        and ‘mainstream’ mass communications research (see, e.g., Hobson 1980 and 1982; Lull
        1980 and 1988; Radway 1984; Ang 1985; Jensen 1986; Lindlof 1987; Liebes and Katz
        1990). A sort of methodological consensus  has emerged, a common ground in  which
        scholars  from divergent epistemological backgrounds can thrive. On the one hand,
        qualitative methods of empirical research seem to be more acceptable than quantitative
        ones because they offer the possibility to avoid what C.Wright Mills (1970) has termed
        abstracted empiricism—a tendency often levelled at the latter by ‘critical’ scholars. On
        the other hand, some ‘mainstream’ audience researchers are now acknowledging the
        limitations on the kind of data that can be produced by large-scale, quantitative survey
        work, and believe that ethnographically oriented methods can overcome the shortcomings
        observed. Given this enthusiastic, rather new interest in qualitative research methods, I
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