Page 74 - The Language of Humour
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Unit five
                      ‘Crikey, that’s a hard one!’















                                  Psychic release
            The previous unit looked at examples of humour with a target. In the
            sense that it is used as a form of attack, the humour is part of a battle
            between groups in society. But some say that humour expresses some
            sort of battle within ourselves. According to Howard  Jacobson
            (Seriously  Funny, Channel 4) the historical  Italian drama form
            Commedia del’Arte ‘jeers at all our feelings and thus releases us from
            the torment of being ourselves’. Although he talked about sex and death,
            much of the series was concerned with the connection between comedy
            and human excreta! It seems convincing in some cases: the comedian
            Jack Dee said ‘I still think there’s nothing funnier than farts.’ The psychic
            release theory of humour explains the triggering of laughter by the sense
            of release from a threat being overcome—such as a reduction of fears
            about death and sex.
              This unit looks at the areas which are taboos (set apart as sacred or
            prohibited) but which may be mentioned—it is interesting, then, to see
            which areas stay strictly out of bounds. Like other ways of formulating
            taboos, joking helps to establish the bounds of what it is right to think
            and say, by breaking some rules, but keeping some limits. What are the
            taboos in this society, and are they same for all people? Have they
            changed in modern times? As with the superiority theory, the response
            varies according to the attitudes of the tellee—for example,  older
            people tend to  find  obscenities more  shocking, but age  is only one
            factor. Other features make humour either acceptable or offensive:
            whether  the language is explicit or uses  innuendo; whether the
            presentation is fictional and general, or factual and specific. The first
            activity asks you to begin by considering your own response.
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