Page 229 - Convergent Journalism an Introduction Writing and Producing Across Media

Index

A Anderson, Mark, 121 Box graphics, 62–63
Abbreviations, 56 Arrow Tool, in FCP, 138 Brady, Matthew, 101–2
Accessibility in public Assignment editors, see Breaking news, 30–34
relations, 195 multimedia Breakout formats, 71
Acronyms, 57 assignment editors British Broadcasting
Actualities, 62 Attribution of sources, 60 Company (BBC),
Advergaming, 174 Audiences 151–52
Advertising, 163–82; see also fragmented, 8–9 Broadband Internet, 9–10, 219
Consumer driven size of and advertising 207–8
advertising; Instant prices, 168–69 and advertising, 170
messaging (IM); Mass Audio for digital video, Sulzberger’s New York
media advertising; 119–21 Times,10
Multimedia microphones, 120–21 Broadcast journalism, see also
advertising natural sound, 119–20 Radio; Speech and
blogs, 175 Autosave Vault setting of writing for broadcast;
and digital media, 176 FCP, 131 Television
evolving definitions of, information graphics in,
164–65 82–83
exercises, 182 B versus print, 15, 153–54
history, 165–66 Background, 41–42 Broadcast television
Internet, 169–75 Batch option, in FCP capture, advertisements,
broadband, 170 133 167–69
chat rooms and Billboards, 166 “B” roll, 138–39
discussion groups, Black and white balancing, Brown, Joe, 15
171–72 116–17, 129 Bulletin boards, 199–200
e-mail, 171 Blogs, 75–77 Burns, Ken, 106–7
paid search marketing, and advertising, 175 Business models and
170–71 critique of news in, 76–77 convergence, 14–15
Webcams, 172 interactivity of, 76–77
overview, 163–64 and news reporting, 76
video game, 174–75 and PR for employees, C
Agenda setting, 187 199
Ambient sound, 62; see also special-interest, 77 Cable television, 167–69
Natural sound; Wild Body of Web stories, 73–74 Cameras, professional
sound Boxes, double, 63–64 television, 115–16