Page 23 - Crucial Conversations
P. 23

WHAT'S A CRUCIAL CONVERSATION?  5


       W e 're  under pressure.  Let's  add another factor.  Crucial  con­
     versations are frequently spontaneous. More often than not, they
     come  out  of  nowhere.  And  since  you're  caught  by  surprise,
     you're  forced  to  conduct  an  extraordinarily  complex  human
     interaction in real time-no  books, no coaches, and certainly no
     short  breaks  while  a  team  of  therapists  runs  to  your  aid  and
     pumps you full of nifty ideas.
       What do you have to work with? The issue at hand, the other
     person, and a brain that's preparing to fight or take flight. It's lit­
     tle wonder that we often say and do things that make perfect sense
     in the moment, but later on seem, well, stupid.
       "What was I thinking?" you wonder.
       The truth is, you were real-time multitasking with a brain that
     was working another job. You're lucky you didn't suffer a stroke.
       W e 're stumped.  Now  let's throw in  one  more  complication.
    You don't know where to start. You're making this up as you go
     along because you haven't  often  seen  real-life  models  of effec­
     tive  communication  skills.  Let's  say  that  you  actually  planned
     for  a  tough  conversation-maybe  you've  even  mentally
     rehearsed. You feel prepared, and you're as cool as a cucumber.
     Will  you  succeed? Not  necessarily.  You  can  still  screw  up,
     because  practice  doesn't  make  perfect;  perf e ct  practice  makes
     perfect.
       This  means  that  first  you  have  to  know  what  to  practice.
     Sometimes you don't. After all, you may have never actually seen
     how a certain problem is best handled. You may have seen what
     not to do-as modeled by a host of friends, colleagues, and, yes,
     even your parents. In fact, you may have sworn time and again
     not to act the same way.
       Left  with  no  healthy  models,  you're  now  more  or  less
     stumped. So what do you do? You do what most people do. You
     wing it. You piece together the words, create a certain mood, and
     otherwise  make  up  what  you  think  will  work-all  the  while
   18   19   20   21   22   23   24   25   26   27   28