Page 165 - Culture Media Language Working Papers in Cultural Studies
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                           Texts, readers, subjects*

                                      Dave Morley









            One major problem with the dominant theoretical position advanced by Screen is
            that it operates with what Neale has characterized as an ‘abstract text-subject
            relationship’.   The subject is not conceived  as  already constituted in other
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            discursive formations and social relations. Also, it is treated in relation to only
            one text at a time (or, alternatively, all texts are assumed to function according to
            the rules of a single ‘classic realist text’). This is then explicated by reference to
            the universal,  primary psychoanalytic  processes (Oedipus complex, ‘mirror
            phase’,  castration complex and its resolution  and  so  on), through which,
            according to Lacan’s reading of Freud, ‘the subject’ is constituted. The text is
            understood as reproducing or replaying this primary positioning, which is the
            foundation of any reading.
              Now, apart from the difficulty of trying to explain a specific instance of the
            text/  reader relationship in terms  of a  universalist  theory  of the formation  of
            subjects-in-general, this proposition also serves to isolate the encounter of text
            and  reader from all  social  and historical structures  and  from other texts.  To
            conceptualize the moment of reading/viewing in this way is to ignore the constant
            intervention of other texts and discourses, which also position ‘the subject’. At
            the  moment  of textual  encounter  other discourses are always in play besides
            those of the particular text in focus—  discourses which  depend on other
            discursive formations, brought into play through ‘the subject’s’ placing in other
            practices—cultural, educational, institutional. And these other discourses will set
            some of the terms in which any particular text is engaged and evaluated. ‘Screen
            theory’ may be assumed to justify its neglect of the interplay of other discourses
            on the text/reader encounter by virtue of its assumption that all texts depend on
            the same set of subject positions, constituted in the formation of the subject, and
            therefore that they need be accorded no other distinctive effectivity of their own.
            Here, however, we wish to  put in  question  this assumption that all specific
            discursive effects can be reduced to, and  explained by, the functioning of a
            single, universal set of psychic mechanisms.
              Pêcheux  has provided us with the useful  and important  concept of
            interdiscourse.  As explicated by Woods, he argues that:
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