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TEXTS, READERS, SUBJECTS 159

            that it  is the ‘multi-accentuality of  the sign’ which  makes it possible  for
            discourse to become an ‘arena of struggle’. What we may call the ‘reality effect’
            is not the product of the required reduplication of the empiricist subject in the
            discourse of realism but the effect of an achieved alignment between subjects
            and  texts which  the discourse itself  accomplishes.  ‘The ruling class  tries to
            impart a  supraclass, eternal character to the ideological  sign,  to extinguish or
            drive inward the struggle between social value judgements which occurs in it, to
            make the sign uniaccentual’. 9
              Even in the case of the ‘classic realist text’, the subject positions inscribed by
            the text,  as  a condition  of its intelligibility,  may  be inhabited differently by
            subjects who, in the past (as the result of interpellations by other texts/discourses/
            institutions) or in the present, are already positioned in an interdiscursive space.
            It does  not follow that because the reader has ‘taken the position’ most fully
            inscribed in the text, sufficient for the text to be intelligible, he/she will, for that
            reason alone, subscribe to the ideological problematic of that text. The text may
            be contradicted by  the subject’s position(s)  in  relation  to other texts,
            problematics,  institutions, discursive formations. This  means  that we must
            establish a distinction between inhabiting inscribed subject positions, adopting an
            ideological problematic and making a dominant reading of a text. We cannot,
            then, assume that one text inscribes a required subject, but only that specific text/
            subject relations  will depend,  in  part, on the  subject positions  given by  a
            multiplicity of texts that produce  (and have produced)  contradictory
            ‘subjectivities’ which then act on and against each other within ‘the space of the
            subject’.
              Neale draws an important  distinction between ideological problematic  and
                         10
            mode of address.  His examination of the two Nazi propaganda films Der Ewige
            Jude and Jud Suss suggests that they both share broadly the same ideological
            problematic but differ in their modes of address. ‘If Der Ewige Jude, then, can be
            seen to share with Jud Suss a common problematic in terms of race, order and
            their representation, it nonetheless articulates that problematic in a different way:
            it has a different mode of textual address’. Neale extends this argument to take into
            account the effect of the interdiscursive; thus


              address is not synonymous with textual address…although the latter can be
              analysed and  has an effectivity; particular  positions and modalities of
              position are a product of textual address in conjunction with the immediate
              discourses that necessarily surround it within the apparatuses that support
              it, and…these in  turn  owe their  character, the particular modalities  of
              position that they produce in interaction with a text, to ideological practices
              —the state of ideological struggle— within the conjuncture as a whole. 11


            Ideological problematic, here, must be understood not as a set of contents but
            rather as a defined set of  operations:  the  way  a problematic  selects from,
            conceives and organizes its field of reference. This is constituted by a particular
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