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CULTURAL STUDIES AND THE CENTRE 9

            specifically  from sociology, which,  while not concerned with such issues,
            reserved a proprietary claim over the territory. For example, the opening of the
            Centre was greeted by a letter from two social scientists who issued a sort of
            warning: if Cultural Studies overstepped its proper limits and took on the study of
            contemporary society (not just its texts), without ‘proper’ scientific (that is quasi-
            scientistic)  controls, it  would provoke  reprisals for illegitimately  crossing the
            territorial boundary.
              It may be hard for us—confronted as we are now by the immense disarray of
            ‘mainstream’ sociology—to  recall a  time when  British sociology was  so
            confident of its claims and proprieties. But this was no idle threat. It was
            compounded by an equally conservative reaction from those  ‘humanists’ who
            might have been expected to know better (after all, they too were under notice to
            quit from an emergent technicist positivism). They regarded ‘culture’ as already
            inscribed in  the texts they studied and in the values of liberal scholarship.
            Anything  more  modern was, by  definition, a  sign  of cultural decline and
            debasement. Spending time analysing  modern cultural forms was a positive
            collusion with the ‘modern  disease’.  They  shared, in fact, with Leavis,  the
            assumption that culture  and democracy were unalterably opposed. ‘Organic
            culture’ lay irredeemably in the past. Everything else was ‘mass culture’. Despite
            these areas of agreement with what Leavis called the ‘diagnosis’, they refused
            his moral seriousness and strenuous programme as too embattled for their tastes.
            It seemed vulgar, then, to point out that this whole definition of culture had been
            framed in very specific and peculiar historical conditions: that it entailed its own
            peculiar reading of history; that  it enshrined its questionable  ideological
            judgements as ‘truths’; that it was militantly elitist in practice. Cultural studies then
            was either hopelessly unscientific or a product of the very disease it sought to
            diagnose—either  way,  a treason of the  intellectuals. The relative caution and
            uncertainty which accompanied the inauguration of the Centre was due in no
            small measure to this inhospitable climate. For years ‘Cultural Studies’ found
            itself required to survive by running the gauntlet, skilfully, between these two
            entrenched—but, in  their  different ways, philistine and  anti-intellectual—
            positions.
              This was not without its real effects. When the Centre gained its first funded
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            project —a study of social change through an examination of the popular press,
            1930–64—it was proposed that since we were not equipped to undertake ‘proper
            sociological’ investigation, we should analyse the ‘texts’ by methods of cultural
            reading, and then the social scientists  might  be recruited to ‘test’ our (soft)
            hypotheses  by the appropriate (hard)  scientific methods. A not dissimilar
            argument was advanced when we first applied to the Social Science Research
            Council (SSRC) for the funds which eventually led to the project undertaken by
            Paul Willis (and subsequently reported in Learning to Labour). Fortunately, so
            far as the Rowntree project was concerned, this broken-backed strategy found no
            takers, and we simply had to do the whole job ourselves. Actually, the common
            meeting-ground in the project itself between these two irreconcilable alternatives
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