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CULTURAL STUDIES AND THE CENTRE 19

              Lévi-Strauss helped to rehabilitate the work of Durkheim and to demonstrate
            his varied lineage:  where  Parsons  had worked towards the structural-
            functionalist synthesis via the Durkheim of  Suicide, Lévi-Strauss directed
            attention to Durkheim and Mauss’s Primitive Classification, which he identified
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            as an integral part of structuralism’s ‘uncompleted programme.  In polemical
            fashion, Lévi-Strauss privileged the synchronic level  of analysis over  the
            diachronic—an anti-historical inversion with which, from the outset, we were far
            from happy. For, while it powerfully moved the level of analysis back to that of
            ‘system’ and ‘structure’, this was at the cost (never fully reckoned with by its
            devotees)  of reconstituting some of the  fundamental positions  of structural-
            functionalism (for example,  society as a  ‘system of  systems’) which earlier
            positions had correctly contested. With these costs Cultural Studies had at once
            to reckon. In a wider sense, Lévi-Strauss tilted the intellectual pendulum sharply
            from German to French influences and models, and from a neo-Hegelianism to a
            distinctive variant of neo-Kantianism.  Yet the impact of structuralism, one must
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            repeat, does  not  consist  of positions  unqualifiedly subscribed to.  We must
            acknowledge a major theoretical intervention.  Whatever else it could not do,
            structuralism displaced ‘man in general’ from the full intentional centre of the
            cultural project. It  thus ended  a  certain  theoretical innocence, whatever  the
            critiques of structuralist theories which had then to be made. It made culture, in
            its expressive  sense,  conditional—because conditioned. It obliged us really  to
            rethink the ‘cultural’ as a set of practices: to think of the material conditions of
            signification and its necessary determinateness.
              This may seem strange since Lévi-Strauss, by concentrating so absolutely on
            the  internal relations of ‘the cultural’, effectively side-stepped the issue of
            determinacy. He  resolved the problem  cognitively  by reference to  a set of
            universal elements and rules common to all cultural practices, which he ascribed
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            to the structure of the human mind as such—l’esprit humain.  In this sense—as
            Ricoeur observed  and  Lévi-Strauss acknowledged—he  remained a ‘Kantian
            without the transcendental imperative’ (that is, God). He was also, if only in a
            deep sense, a ‘Durkheimean’,  founding  culture at the  level of reciprocal
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            exchange rather than  on production.   His work also exemplified  a sustained
            formalism—the price of his proper attention to forms. Nevertheless, a conception
            of determinate practice lay somewhere near the centre of his work. It could not
            be constrained for long inside its Kantian and Durkheimean brackets, the limits of
            his structuralism.
              This  is clearly demonstrated by what rapidly  succeeded  it—the  work  of
            the Marxist structuralists, here personified in the example of Althusser. Marxist
            structuralism looked initially like a take-over bid; but it is important to see the
            internal logic which drove structuralism from its Durkheimean to its Marxian
            inflexion. If language is a social practice, it can be adequately reduced neither to
            the mere sum of the individual speakers nor to the individual utterances spoken
            in it. It must be defined in terms of the ‘systems of relations’ which make these
            individual interventions possible and which structure, determine and limit them.
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