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22 INTRODUCTION

            determination’ and uneven relations and relative autonomy): he also challenged
            the  expressive notion of a simple correspondence between class formations
            (mainly determined by economic relations) and cultural formations. He did not
            deny mutual  and reciprocal effects  between them within the  structured
            complexity of social formations, but he refused any simple transparencies and
            correspondences. Two related steps were involved here. First, the argument that
            classes were not simple ‘economic’ structures but formations constituted by all
            the different practices—economic, political and ideological— and their effects
            on each other.  (‘Contradiction’ and ‘over-determination’  were, indeed,
            Althusser’s attempt to ‘think’ this proposition, which he derived from Engels’s
            letters,  against a reductionist Marxist  economism, on what he  conceived  as  a
            more theoretically adequate basis.) Secondly, classes were not integral formations
            and did not, as Poulantzas put it, carry their ideologies already prescribed and
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            prearranged like number plates on  their backs.  The The manner in which
            Althusser tried to reformulate this relationship has been the subject of extended
            critiques. But as a general protocol for the field of study, the force with which it
            posed the cultures/classes question cannot be overestimated. He asked, to put it
            simply, how the relationship of cultures/ideologies to classes could  be
            conceived, if one were to avoid reducing the former to the latter.
              In  sum, one might say that  structuralism  posed, rather than answered
            satisfactorily, certain  absolutely critical questions for  Cultural Studies.  This
            summary proposition could, of course, be divided into many more subdivisions
            than we have space for here. It offered the challenge of further work on the
            problem of a materialist, non-reductionist theory of culture.
              We have noted the importance of Althusser’s ‘Ideological state apparatuses’
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            essay.  This influential paper was important because its definition of ideologies
            embraced many of the wider ways in which we had come to define culture—also,
            because of its stress on ‘practices’ rather than merely on ‘ideas’. It was influential,
            too, because it retained  a  classical Marxist emphasis on the ‘function’ which
            ideology performed in reproducing the conditions and relations necessary to the
            mode of production of class societies. This third emphasis was important because
            it  initiated ways  of thinking about the relationship of ideologies  to class-
            structured social formations (that is, through reproduction), without reducing the
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            former to classes.  It related the production of ideologies to ‘dominant ideologies’
            and to all those apparatuses which  produce and reproduce the ideological
            structures of society, located in the state and in the institutions of civil society
            (churches, trade unions, the family, the social, cultural apparatuses and so on). 87
            But it tended to conceptualize these relations as ‘functional supports’ for a given
            system of dominant social arrangements. Thus it consistently down-played the
            notion of cultural contradiction and struggle. For all practical purposes, the domain
            of ideology  was,  for Althusser,  the domain of the ‘dominant ideologies’. 88
            Althusser attempted to redress the  functionalist balance  of  this essay in a
            footnote on ideology as ‘struggle’—but, so far as the theoretical structure of his
            argument  was concerned, this eleventh-hour revision was merely ‘gestural’. 89
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