Page 134 - Decoding Culture
P. 134

RESISTING THE  O M  I N ANT  127
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          psychoanalytically formed subjects. In developing a model of com­
          munication  processes  based  on  the  semiotically  derived
          proposition  that  there  were  different  encoding  and  decoding
          'moments' involved in communication, Hall (1980d, 1997)  set the
          terms for an  alternative  account  of 'reader-text'  relations which
          would be more consistent with the CCCS focus on the 'struggle in
          ideology'. Furthermore, in seeking to apply this model to a specific
          case  (the  Nationwide  television  programme)  the  CCCS media
          group were obliged to confront empirical and theoretical problems
          that would  finally lead  away  from  CCCS orthodoxy  and  toward
          rather different forms of cultural analysis (Brunsdon and Morley,
          1978; Morley 1980b, 1981, 1986, 1992). The later stages of that will
          concern us  rather  more  in Chapter 7.  For the present, the signifi­
          cance of the encoding/decoding model  lies  in what it can tell  us
          about the mainstream CCCS framework.
            The essence of the model is familiar enough, deriving from the
          basic  structuralist  insight,  if insight it is, that 'meaningful  dis­
          course'  is always  coded.  Broadcasting  organizations are in the
          business  of producing  such  encoded  messages,  based  on  the
          'meaning  structures'  available  to  them  and  located  within  the
          frameworks  of knowledge, relations of production  and technical
          infrastructure  characteristic  of such  organizations. This  is  one
          'moment' of the communication process. Once constituted in this
          way the television programme Oet us say) is made available to an
          audience for decoding. They, too, utilize the 'meaning structures'
          available  to  them  and work within  their  specific  frameworks  of
          knowledge, relations of production  and  technical  infrastructure.
          This  decoding 'moment' yields up the meaning of the discourse.
          Or,  rather,  it yields  up a  meaning,  in as  much  as the  'codes  of
          encoding and decoding may not be perfectly symmetrical'  (Hall,
          1980d:  131)  and  so the meanings derived by  audiences may not
          coincide with those encoded by broadcasters.





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