Page 130 - Decoding Culture
P. 130

RESISTIN G   THE  D O M  I NANT  123

          episodic thinking which  provide  us with the taken-for-granted
          elements of our practical knowledge' (ibid: 73). Always undergoing
          adaptation, this 'reservoir of themes and premises' was bound into
          the very fabric of the social formation.
            It is also from Gramsci (and V o losinov) that Hall draws inspira­
          tion in extending the idea of the politics of signification in terms of
          the 'class struggle in language' or, as he expresses it more gener­
          ally, the 'struggle over meaning'. The generalization is important,
          of course, since it partially disconnects the idea of contesting ide­
          ological meanings from a strictly class location: 'though discourses
          could  become  an  arena  of social  struggle,  and  all  discourses
          entailed  certain  definite premises about the world,  this was not
          the same thing as ascribing ideologies to classes in a fixed, neces­
          sary  or  determinate  way'  (ibid:  80) .  Ideology  and  ideological
          struggle, therefore, could not be understood as merely reflecting
          the terms of, say, the economic base; they had 'relative autonomy'.
          This is not to lose sight of the crucial concept of dominance, how­
          ever, where a framework may be imposed (by force or 'ideological
          compulsion') on a subordinate group, but this too must be enlarged
          in terms  of Gramsci's concept of hegemony.  Hegemony depends
          on cultural leadership to control the 'form and level of culture and
          civilization' in such a way as to sustain the dominant 'social and pro­
          ductive system'. Thus, 'hegemony is understood as accomplished,
          not without the due measure of legal and legitimate compulsion,
          but principally by means  of winning the  active  consent of those
          classes and groups who were subordinated within it' (ibid: 85) . It is,
          then, the 'production of consent' that is the key role of the media
          within a given social formation.
            This  process  of loosening the  links  between  ideology  (and,
          therefore, culture) and class is part of an ongoing shift away from
          marxist  orthodoxy in  both  Hall's work and that of the  CCCS.
          Compare this 1982 formulation of class, ideology and hegemony,





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