Page 145 - Decoding Culture
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138  D E C O D I N G   C U L TURE

           Students to whom I offer the seminar topic 'Examine the influence
           of feminism on cultural studies' embrace it enthusiastically only to
           report ruefully  that the  references which  I  provide  leave  them
           more confused than enlightened. This is not really the fault of the
           literature; the Question is a very difficult one to address once you
           try to move beyond a simple  pointing up of particular  studies  or
           specific innovations. Part of the difficulty stems from the fact that,
                               1
           as Franklin et al.  (1991:  1 )  conclude later in their introductory dis­
           cussion,  'there  remain  substantial  difficulties  in  defining  what
           might be meant by specifically feminist understandings of culture'.
           It is this limitation that leads them to restrict the analytic organi­
           zation of their account, and their volume of readings, to three loose
           and temporally  specific areas of potential  overlap  between  femi­
           nism and cultural studies.
             Other summarizing projects face similar difficulties, often taking
           up the  challenge  by conceiving of a range  of 'feminisms'  rather
           than  presupposing a  single  homogeneous feminist framework.
           Lovell (1995) for example, recognizing the diversity of both cultural
           studies and feminism, invokes several feminist approaches (among
           others:  cultural feminism, feminist populism,  postmodern  femi­
           nism, black feminism) in the course of introducing her collection of
           essays on 'feminist cultural studies'. As the sheer range of her two
           volumes amply illustrates, the mapping task is indeed a formidable
           one, the variety of work startling in its vigour and diversity. Or, less
           extensively as  befits  a more textbook-oriented approach, Storey
           (1993:  125-126)  introduces  his  account  of feminism  in cultural
           studies in terms of the familiar Quartet of radical feminism, liberal
           feminism,  Marxist feminism and dual-systems theory.  He notes,
           however, that alternative classifications might also cast some light
           into the conceptual gloom. And while it is true that such headings
           as these can provide useful ordering foundations on which to build
           a systematic  account  of the interaction of feminism and cultural





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