Page 181 - Decoding Culture
P. 181

174  D E C O D I N G   C U L TURE
          undervalued detailed empirical research, often simply dismissing
          it as indefensibly empiricist. Y e t it had become increasingly appar­
          ent that any serious attempt to grapple with the relation between
          the structuring capacities of cultural texts and the agency of read­
          ers needed to understand processes of reading in actual social and
          historical contexts.  Research  into  audiences,  however,  had been
          the province of the mass communications research tradition which
          was itself dominated by a scientistic model of inquiry and by quan­
          titative methods.  It is hardly  surprising,  then,  that when  cultural
          studies came to  embrace  empirical  research into audiences it did
          so in qualitative and largely microscopic terms, and even though
          Morley's formulation of the project does invoke 'structural consid­
          erations',  audience  ethnographies  thus far have  done  little  to
          realise that ambition, either conceptually or empirically.
            Methodological debate has  therefore been less about the chal­
          lenge of incorporating a conjoint understanding of structure and
          agency - arguably  the  first  requirement for those  concerned  to
          elucidate text-reader relations - than about the inevitable partiality
          of ethnographic  accounts  and  their  relation  to  political  practice.
          These are important issues, of course, and their discussion in the
          cultural  studies  literature  has  been  deeply  influenced  by  the
          methodological 'crisis' in anthropological thought of recent years
          (Clifford  and  Marcus,  1986; James et aI. ,  1997) .  Central  to  this
                                           '
          debate has  been the  recognition that  [ e]thnographic truths are
          thus inherently partial' (Clifford and Marcus, 1986: 7) - as are, one
          might say, all putative empirical truths - a view which, in a cultural
          studies context, leads swiftly on to a series of questions about what
          it is that ethnographic accounts actually represent, how they relate
          to  other representations offered  by audience  members  or  other
          observers, what political role they might play in a critical cultural
          studies,  in  what  forms  they  should  be  given  expression,  and
          whether and how the reflexivity  of the ethnographer should be





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