Page 20 - Decoding Culture
P. 20

THE STORY SO  FAR  13

           became  foundational  to  assume  that  psychoanalytic  concepts
           would  provide  privileged  access  to  these  processes,  notably
           through terms drawn from the 'structuralist' development of psy­
           choanalytic theory pioneered by Jacques Lacan. Thus, by yoking
           together a theory of ideology that focused upon the construction of
           subjects, and a psychoanalytic account of that process itself, Screen
           theory was able, formally at least, to locate structural analysis in a
           social  and psychoanalytic context.  From these  beginnings  there
           developed the whole tradition of 'subject positioning theory' which,
           to this day, retains an important role in cultural analysis.
             The crucial  period for  the  development of Screen  theory  was
           during the first half of the 1970s, and by the middle of that decade
           it had reached its high point of influence. It was very controversial,
           with critics accusing the theory of over-determinism, of psychoan­
           alytic reductionism, and of betraying Screen's political project by
           retreating into the obscurantism of Lacanian terminology. Among
           these critics were members of the Screen group itself, as well as
           those within the CCCS who had made it their business to engage
           with this particular extension of structuralism. The CCCS had also
           been much influenced by the first phase of structuralist thinking
           and, while rejecting Screen's formulation of post-structuralism, was
           eager to find its own way of carrying things forward.  Convinced
           that ideology was the key concept through which to relate struc­
           tural analysis of texts to larger political and social dynamics, they
           too  drew  upon  Althusser.  However,  rather  than  extending
           Althusser's ideas in the ways found in Screen theory, they sought
           increasingly to theorize ideology in terms derived from Gramsci's
           work.
             We will examine this version of post-structuralist cultural studies
           in some detail in Chapter 5. For the purposes of the present outline
           it is only necessary to note that the CCCS position, while preserv­
           ing  a  central  emphasis  on  ideology,  rejected  the  strongly





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