Page 49 - Decoding Culture
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42  DECODING CULTURE
          of culture was much more complex and significant than prevailing
          traditions  of thought  had  hitherto  grasped,  and  in  Culture  and
          Society  7 80-1950 and The Long Revolution he set out to examine
                1
          and rethink those traditions.
            This led him into a lengthy consideration of the concept of cul­
          ture, first in terms of its historical development  (especially within
          the 'culture and  civilization' tradition)  and then,  more abstractly,
          with a view to developing appropriate concepts and methods for its
          understanding. It is the latter that particularly concerns me here,
          and  its  major locus  is to  be found  in  the  first  part  of The Long
          Revolution. Hall (1980a: 19) rightly describes this book as a 'text of
          the break' and  as 'a seminal event in English post-war intellectual
          life'. It is here that Williams  (1965: 57-58)  spells out most clearly
          his well-known three definitions of culture: the 'ideal', where cul­
          ture is concerned with perfection  in terms of absolute values; the
          'documentary', where culture is a body of work capturing human
          thought and experience; and the 'social', where culture refers to a
          distinctive way of life. To examine culture is, for Williams, to exam­
          ine all these aspects.
            Cultural history must be more than the sum of the particular his­
            tories, fo r it is with the relations between them, the particular f o rms
            of the whole organization, that it is especially concerned.  I would
            then  define  the  theory  of culture  as  the  study  of relationships
            between elements in a w h ole way of life. The analysis of culture is
            the attempt to discover the nature of the organization which is the
            complex of these relationships.  (ibid: 63)
          'Pattern', he suggests, is an essential focus for this cultural analysis,
          both characteristic patterns of culture  themselves  and  the  rela­
          tionships that  link  such  patterns.  Invoking  Fromm's concept of
          'social character' and Benedict's 'patterns of culture', he searches
          for terms to  describe what for him  is the central  distinguishing
          feature of the phenomenon: 'a particular sense of life, a particular





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