Page 54 - Decoding Culture
P. 54

THE WAY WE WERE  47

          point  by subjecting their films to  detailed  critical evaluation.  In
          some cases that work, too, was overtly influenced by the Leavisite
          tradition. So, for example, in detailed textual studies of the films of
          Howard Hawks and Alfred  Hitchcock the then Leavis-influenced
          critic Robin Wood (1968, 1969) sought to demonstrate the profun­
          dity, the organicism, the universal significance of their work. Not
          averse  to  making strong claims  - 'Vertigo  seems  to  me  to  be
          Hitchcock's masterpiece to date, and one of the four or five most
          profound and beautiful films the cinema has yet given us' (Wood,
          1969: 71) - Wood set for film criticism the same high standards of
          detailed analysis that the Leavisite tradition had applied to litera­
          ture.  But,  once  more,  as  a contemporary  discussion  of Wood's
          work put it,  [ tlhe result is a critical method which avoids develop­
                     '
          ing an analytic and evaluative apparatus' (Lovell,  1969: 44) .
             Again and again in the  1960s this theme emerges, both in the
          lively debate that  distinguished the world  of film  studies,  and in
          more  general  considerations  of culture.  As  a  new  generation
          reacted against the received wisdom of the past, they increasingly
          recognized  that it was  not just the  elitism of mass  culture views
          that was at fault. It was also - perhaps even above all - their empiri­
          cism that confounded any attempt to stand back from the process
          of analysis itself and debate the terms in which understanding of
          culture  was  to  be  constructed. 'The  call  was  for  theory. Theory
          which would locate cultural  phenomena in the larger context of
          which they were a part. Theory which would provide a fresh and
          less  restrictive  understanding of communication.  Theory which
          would  underwrite  a  method  of analysis  capable  of the  fine  dis­
          criminations necessary if interpretation and meaning construction
          were  to  be understood.  In  a word,  a  theory which  would  draw
          together into one body of thought the growing interest in the var­
          ious languages of modern culture. But, in the enthusiasm to meet
          these challenges few noticed that the  term  'theory' was rapidly





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