Page 50 - Decoding Culture
P. 50

THE WAY WE WERE  43

           community of experience  hardly  needing  expression,  through
           which the characteristics of our way of life that an external analyst
           could describe are in some way passed, giving them a particular
           and characteristic  colour'  (ibid:  64) . The  distinctiveness  of this
           'community of experience' is not captured by 'social character' or
           'pattern of culture' which terms, for Williams, lack the appropriate
           experiential  dimension. The  alternative  expression that he pro­
           poses is 'structure of feeling'.
             It is not always easy to grasp quite how 'structure of feeling' dif­
          fers from, say, pattern of culture. In part it is to do with abstraction.
           Social character and pattern of culture are, for Williams, the terms
           of an  external  analyst  abstracting  pattern  from  concrete  social
           activities. Structure of feeling, on the other hand, seeks to capture
           something about the 'actual experience' in which these abstract
           patterns are lived. Y e t when Williams claims  to  detect a 'popular
           structure of feeling' in, for example, the novels of the 1840s (ibid:
           81-86)  he,  too,  is  inevitably  abstracting from the  'lived  culture'.
          There is surely an epistemological confusion here, stemming per­
           haps from Williams' failure  (at this stage of his work)  to consider
           more  openly the  status  and  role of theorizing.  Hall  (1980a:  19)
          observes of The Long Revolution that 'it attempted to graft on to an
          idiom and mode of discourse irredeemably  particular,  empirical
          and moral in emphasis, its own highly individual kind of "theoriz­
          ing"'. This is an apposite description, catching both the strength of
          the empiricism and moral concern inherited from Leavisism and
          Williams' feeling that, although theoretical reflection was so much
          more than an unnecessary afterthought to the real work of analy­
          sis,  it  still  had  to  be, as  it were,  contained within  that  work  if
          misleading abstraction was to be avoided. In invoking 'structure of
          feeling' he seeks to work from within the cultural terms  in which
          real  lives  are  lived,  yet  seems  reluctant  to  concede  that  this
          account is no less abstract,  no less irreducibly theoretical, than





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