Page 196 - Enhancing CAD Drawings with Photoshop
P. 196

4386.book  Page 180  Monday, November 15, 2004  3:27 PM

      180  CHAPTER 5  PRESENTING PLANS



                       2. Select the Hollyhock-Waterline layer and toggle it on and off to see where it is in the image
                          (lower edge). Using the Paint Bucket, fill the ocean with black. To the Hollyhock-Waterline
                          layer, apply the following Layer Style Effects:
                          Pattern Overlay  Use the Rough pattern from the Patterns 2 library at 100% scale.
                          Gradient Overlay  Use the linear black-to-white gradient at an angle of 87° and a scale of 150%.
                          Change Opacity to 70%, and set the Blend mode to Overlay.
                          Color Overlay  Select a light blue-green hue with HSB values of 180,50,65. Change the Blend
                          mode to Overlay.
                          Bevel and Emboss Use smooth inner bevel directed down with 40% depth, 9 px size, and 16 px
                          soften.
                          The pattern imparts a rough texture; gradient adds darkness to the depths; color is overlaid to
                          lighten; and bevel smoothes the transition between ocean and shore (see Figure 5.48).

                          Temporarily applying a stroke helps you visualize the boundaries of line work because it
                          allows you to change the color. After you fill the layer, discard the stroke effect.
                       3. Select the Hollyhock-Property layer and apply the Stroke effect, using 1 pixel inside position
                          settings in the Layer Style dialog box. The property lines highlight in red. Use the Paint Bucket
                          and fill all the vacant spaces in the property shown in Figure 5.49. Then drag the Stroke effect
                          to the Trash icon at the bottom of the Layers palette. (You can click the triangle next to the layer
                          name to expand the layer hierarchy and reveal the Stroke effect.)

                  Figure 5.48
                  Applying Layer Style
                  Effects to the ocean
   191   192   193   194   195   196   197   198   199   200   201