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Introduction to FEMLAB                 19




























          Figure 0.12 In the turbulent  static mixer model, there is only one subdomain, exactly equivalent  to
          the single composite geometry object specified in draw mode.
             Chapter five starts the advanced concepts in modeling - nonlinear  dynamics
          and  simulation.  Chapter  six  deals  with  geometric  continuation,  and  Chapter
          seven  treats  integral  equations  and  inverse  problems.  All  three  chapters  are
          largely  drawn  from  my  own  research  portfolio,  but  there  are  also  newly
          developed  treatments  or  extended  studies  from previous  works.  Rather  than
          systematically exploring the features of FEMLAB as in chapters 1-4, chapters 5-
          7 pose the question “Can FEMLAB be bent to  solve the problems that interest
          me in stability theory  (five), complex geometries and modulating  domains (six)
          or inverse problems  (seven), where I know the questions and desired  forms of
          the answers, but can FEMLAB provide the solution tools?  These chapters will
          have their own audiences for the direct questions they treat, but should provide
          many users with fertile proving grounds and a basketful of “tricks of the trade.”
          Getting information into and out of the FEMLAB GUI is one of the weaknesses
          of the package.  Many of my tricks are how to use the MATLAB interfaces to do
          intricate I/O.
             Chapters  eight  through  ten  are purely  about  applications  and  are  only  CO-
          authored by me.  To a large degree, chapters 5-7 are about my applications and
          their generalizations,  used  to demonstrate FEMLAB  functionality.  Chatpers 8-
          10 are the  applications of  colleagues for  which we  thought  FEMLAB  and  the
          concepts of chapters 1-4 should be exploitable.  My co-authors of these chapters
          have other agendas  and  that  is evident in  the  narrative voice  adopted  in these
          chapters.
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