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124 THE THEORY AND METHOD OF ARTICULATION

              abstracted  out),  without  losing  its  grip  on  the  ensemble  which  they
              constitute.
                                                            (Hall, 1980a:69)

            Thinking  articulation  thus  becomes  a  practice  of  thinking  ‘unity  and
            difference’, of ‘difference in complex unity, without becoming a hostage to
            the privileging of difference as such’ (Hall, 1985:93).
              Hall’s  model  of  strategic  intervention  is  not  then  limited  to  a  kind  of
            theoretically-driven  Derridian  deconstruction  of  difference  and  the
            construction of discursive possibility, but a theoretically-informed practice
            of  rearticulating  relations  among  the  social  forces  that  constitute
            articulated structures in specific historical conjunctures. He maintains that


              The aim of a theoretically-informed political practice must surely be
              to  bring  about  or  construct  the  articulation  between  social  or
              economic  forces  and  those  forms  of  politics  and  ideology  which
              might  lead  them  in  practice  to  intervene  in  history  in  a  progressive
              way—an   articulation  which  has  to  be  constructed  through  practice
              precisely  because  it  is  not  guaranteed  by  how  those  forces  are
              constituted in the first place.
                                                             (Hall, 1985:95)

            In practice, this has opened the way for cultural theorists to consider the role
            of a range of other social forces both in their specificity and in discourse,
            interrogating  the  ways  in  which  they  are  complexly  articulated  in
            structures of domination and subordination and considering ways that they
            might  be  re-articulated.  (See  for  example,  Slack,  1989,  on  the
            technological;  Slack  and  Whitt,  1992,  on  the  environmental;  Grossberg,
            1992 on the affective.)


                    REARTICULATING COMMUNICATION: MAPPING
                                     THE CONTEXT

            Stuart  Hall’s  practice  of  articulation  can  be  tracked  through  any  of  a
            number of sites of contestation, for example, through his work on race (for
            example,  Hall  1980d;  1986a),  ethnicity  (for  example,  Hall,  1991),  the
            popular  (for  example,  Hall,  1980c;  1981)  and  so  on.  The  site  of  Hall’s
            engagement with the concrete that I choose to track here is his critique of
            communication  theory  and  the  methods  used  to  study  communication.
            This serves as a useful example for several reasons. First, this engagement
            with  practices  of  communication  demonstrates  the  effectiveness  of  the
            resistance  to  thinking  the  elements  in  articulated  structures  as  being
            ‘potentially  articulatable  with  anything’.  Second,  in  the  United  States  at
            least, Hall’s work on communication has been particularly influential and
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