Page 55 - The Language of Humour
P. 55

42 THE SHOCK OF THE NEW
            punchline comes with a twist on the third. In a more general way, there
            is an expectation that three parallel pieces of language build up to a
            climax; in humour  there is often an anti-climax. In the US sitcom
            Cheers the bartender, Woody, asks whether he should ask for a rise in
            pay. His colleague says ‘You’re a good bartender, you’re never off sick,
            you don’t  have holidays. I wouldn’t bother.’ Humorists often create
            bitingly witty comments by using the technique of this three-part
            structure  (see next section on  register) yet  insert surprisingly
            incongruous terms:

              I  require only three things  of  a man—he should be  handsome,
              ruthless and stupid. (Dorothy Parker)
                Children begin by loving their parents. After a time they judge
              them. Rarely, if ever, do they forgive them. (Oscar Wilde)
                We met Dr Hall in  such very  deep mourning that either his
              mother, his wife, or himself must be dead. (Jane Austen)

                                  Activity with text

            Comment on the way this breaks the usual expectations of stories—that
            the questions raised will be answered.  (No commentary follows this
            activity.)

                 A  rabbit goes into a butcher’s  shop  and asks,  ‘Have you got any
               lettuce?’ The butcher says, ‘We don’t sell lettuce here. You need the
               greengrocer’s across the road.’ The next day the rabbit comes into the
               shop and asks for some lettuce again. The butcher tells him, ‘Look, I told
               you yesterday, we don’t sell lettuce. You need the greengrocer.’ The
               rabbit comes in the next day and asks the butcher again, ‘Have you got
               any lettuce?’ The butcher goes mad. He says, ‘Look, I’m sick of this.
               How many times do I have to tell you I don’t sell lettuce. If you come
               in here  again  asking for lettuce, I’m going  to  nail  your  ears to the
               floor.’ The next day the rabbit comes in and asks the butcher, ‘Have
               you got any nails?’ ‘Nails? No.’ ‘Right,’ the rabbit says, ‘Have you got
               any lettuce?’


                                   REGISTER

            In linguistics the term register is used in a way analogous to a musical
            register, which can range from high to low tones. There is the notion of
            a ‘high’ or formal  register in  language and  a range  including more
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