Page 56 - The Language of Humour
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THE SHOCK OF THE NEW 43
            casual registers. The scale from formal to informal is an oversimplified
            view of the  range of styles that  even  individual language-users  can
            employ, as they shift their style of language to make it appropriate to
            the situation. The ‘situation’ encompasses whether you are speaking or
            writing; what  your purpose is;  whom  you are addressing,  even  your
            topic. People make fine adjustments over the day: talking to a friend,
            talking to a stranger, talking on the telephone, writing a message on the
            blackboard. Some styles are more definitely set and these are recognised
            as genres, like headline-style, where the language is abbreviated; the style
            of estate agents’ brochures; pulp sci-fi style.

              The Top Tips page in Viz imitates a recognisable style:
                Housewives—why waste time  and energy  mashing potatoes?
              Simply place  a large spud under each of hubby’s car tyres last
              thing at night. When he drives off to work in the morning, hey
              presto, instant mash.

            The markers of this style are the direct address in the opening question,
            the use of cheery terms like ‘hubby’, ‘simply’ and ‘hey presto’. Even
            the lexis falls within  the  expected  field: ‘mashing potatoes’,  but the
            notion itself is odd.
              Some  rhetorical devices  are so familiar that they signal a  grand
            speech-making style. One is the pattern of building up balanced phrases
            in threes—but in humour, the final one drops in register, for a sort of
            anti-climax. Another  is the use  of  a  balanced structure, often  with a
            lexical contrast. The patterning helps to emphasise the point being
            made.

              Anything that is too stupid to be spoken is sung. (Voltaire)
                The soul is born old but grows young. That is the comedy of
              life.’ ‘And the body is born young and grows old. That is life’s
              tragedy.’ (Oscar Wilde)

            When using language in a  variety of everyday  contexts, people shift
            from one register to another. Joos (1961) describes styles of speaking
            and writing on a five-point scale of degrees of formality:
              intimate—use of a ‘private’ code, rather than  ‘public’ vocabulary,
            e.g. jargon
              casual—between friends, so using shortened forms and slang
              consultative—coming to terms  with strangers,  supply background
            information
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