Page 303 - Enhancing CAD Drawings with Photoshop
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4386.book  Page 287  Monday, November 15, 2004  3:27 PM

                                                                             WORKING IN BLACK AND WHITE  287



                       2. Make sure the top layer in the Layers palette is selected; in this case it is Fog. Click the Create
                          New Fill Or Adjustment Layer button at the bottom of the Layers palette to apply a Channel
                          Mixer adjustment layer.
                       3. Check Monochrome at the bottom of the Channel Mixer dialog box. Drag the Red channel
                          slider to +100%, Green to +60%, and Blue to –60% (see Figure 8.36). This combination subtracts
                          the blue component from the other two channels. Furthermore, notice that the sum of all three
                          channels is exactly 100%.

                  Figure 8.36
                  The Channel Mixer ad-
                  justment Layer













                          You have flexibility with the Channel Mixer. As long as the sum of the red, green, and blue
                          channels adds up to 100%, the image will maintain the same exposure level. However, each
                          image has different data stored on its three color channels, so you’ll have to experiment in your
                          illustration by mixing the three channels in a way that is aesthetically pleasing to your eye.
                       4. Try mixing Red at +40%, Green at –40% and Blue at 100%. Try another combination that sums
                          to 100% until you are satisfied with the results that appear in the document window. Click OK to
                          close the Channel Mixer dialog box.
                       5. Create a new layer and rename it Composite B&W. Press Alt+Shift+Ctrl+E to stamp all the visible
                          layers onto this layer without flattening. This layer contains a record of all your work to date.

                          Let’s explore artistic possibilities by applying Sketch filters to your black-and-white composite
                          image. It’s always a good idea to duplicate a layer before you alter it, so you can easily dispose
                          of it (without altering your compositing) if you don’t like the results.
                       6. Press Ctrl+J to duplicate the Composite B&W layer. Rename this layer Filtered. Choose Filter
                          Filter Gallery to open the Filter Gallery dialog box. If there are any effects in the effect layer
                          stack, delete them by clicking the Delete Effect Layer button, repeatedly if necessary. Click the
                          Create New Effect Layer button, expand the Sketch folder, and select Halftone. Set Size to 1,
                          Contrast to 9, and Pattern Type to Dot.
                       7. Select the Graphic Pen filter. Set Stroke Length to 6, Light/Dark Balance to 52, and Stroke
                          Direction to Right Diagonal.
                       8. Add additional effect layers and/or tweak the settings given in steps 6 and 7 if desired to pro-
                          duce a traditional artistic look for the Filtered layer. When satisfied, click OK (see Figure 8.37).

                          If you think the filters applied in the last step are okay, but perhaps too much of a good thing,
                          try using Fade to reduce their cumulative effect.
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