Page 148 - Contribution To Phenomenology
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THE OTHER CULTURE                        141

              Thus,  to  exhibit  the  constitution  of  the  concept  "material  object"  is  to
              identify  the  type  of  intentional  experiences  which  originarily  present
              something  as  a  material  object.  It  is  thus  that  one  says,  in  phenomen-
              ology,  that  material  objects—not  these  things,  but  their  sense  as  material
              object—are  constituted  in outer  perceptions,  not, to be  sure,  in one  single
              outer  perception,  but  in  a  concatenation  of  them.  To  return  to  our
              question, we  may  construe  it,  then,  as:  how  do  we  recognize  a  culture  as
              a  foreign  culture?  How  is  a  foreign  culture  given  as  a foreign one?
                  There  is  no  problem  in  recognizing  that  they,  the  natives,  have  a
              culture.  To  perceive  them  as  other  egos  is  to  perceive  them  as  having
              intentional  experiences  like  mine,  as  conferring  meanings  on  their
              intersubjectively  shared  world,  to  perceive  them  as  dying  and  new  ones
              as  being  born,  to  take  them  as  having  a  generative  history  of  their  own
              as  we  have  ours;  thus  they  have  their  own  culture.  But  what  experiences
              on  our  part  serve  to  present  their  culture  as  being  a  "foreign"  culture?
              There  is  a  spurious  notion  of  "foreign"  which,  if  my  arguments  are
              correct,  we  need  to  reject.  In  that  sense  of  "totally  foreign"  (and  its
             correlate  "purely  ours"),  we  only presumptively  apply  those  concepts  to
              their  culture  (and  to  ours,  respectively).  That  is  the  best  we  can  say.
             Even  these  presumptive  ascriptions  need  to  be  correctly  evaluated.
                  There  is  a  large  common  framework,  within  which—and  only  within
             which—differences  show  themselves.  First  of  all,  the  different  cultural
             worlds  all  belong  to  the  same  Nature;  they,  rather  their  territories,  are
             parts  of  the  same  spatio-temporal  system.  We  and  they perceive  the same
             nature—plants,  trees,  animals,  rocks,  mountains,  waters,  and  heavenly
             bodies,  although  they  may  not  be  ascribing  to  them  the  same  meanings
             as  we  do.  Secondly,  we,  as  well  as  they,  are  embodied,  and  our  bodies
             are  human  bodies—similarly  structured.  Third,  it  would  be  a  fairly
             reasonable  assumption  that  our  mental  lives  of  some  level  have  the  same
             structure,  even  if  possibly  our  different  cultures  allow  for  differences  at
             some  other  level.  Fourth, our biological needs  and  the  basic  human drives
             are  at  some  level  the  same.  Given  these  over  all  shared  framework,  it  is
             only  reasonable  to  expect  that  no  culture  can  be  totally  different  from
             ours.  Consequently,  as  Husserl  writes,  "Everything  that  is  so  foreign,  so
             unintelligible,  has  a  core  of  familiarity"  {Unbekanntheiten  im  still  der
             Bekanntheiten) (Hua  XV,  432).  The  completely  foreign  is  still  familiar
             inasmuch as  there  are  there spatial  things (Raumdinge),  men  and animals,
             villages,  landscapes,  etc.  (Ibid,,  430).  They  are  "unfamiUarities  in  the  style
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