Page 104 - The Art and Science of Analog Circuit Design
P. 104

William H. Gross


        gone. Although I have seen some products recently that appear to be
        solutions looking for problems!
          This is not to say that you need marketing surveys with lots of paper-
        work and calculations on a spreadsheet. These things are often man-
        agement methods to define responsibility and place blame. It is my
        experience that the errors in these forms are always in the estimate of the
        selling price and the size of the market. These inputs usually come from
        marketing and maybe that is why there is such a high turnover of person-
        nel in semiconductor marketing departments. After all, if the marketers
        who made the estimates change jobs every three years, no one will ever
        catch up with them. This is because it typically takes two years for devel-
        opment and two more years to see if the product meets its sales goals.
          So with almost no official marketing input, but based on conversations
        with many people over several years, I began the definition of a new
        product. I felt there was a market for an 1C video fader and that the mar-
        ket was going to grow significantly over the next five years. The driving
        force behind this growth would be PC based multi-media systems. At the
        same time I recognized that a fader with only one input driven is a very
        good adjustable gain amplifier and that is a very versatile analog building
        block. The main source of this market information was conversations
        with customers trying to use a transconductance amplifier that I had de-
        signed several years earlier in fader and gain control applications.


        The Video Fader


        The first step is figuring out what a video fader is. The basic fader circuit
        has two signal inputs, a control input and one output. A block diagram of
        a fader is shown in Figure 8-1. The control signal varies the gain of the
        two inputs such that at one extreme the output is all one input and at the
        other extreme it is the other input. The control is linear; i.e., for the con-
        trol signal at 50%, the output is the sum of one half of input 1 and one
        half of input 2. If both inputs are the same, the output is independent of
        the control signal. Of course implementing the controlled potentiometer
        is the challenging part of the circuit design.
           The circuit must have flat response (O.ldB) from DC to 5MHz and low
        differential gain and phase (0.1% & 0.1 degree) for composite video
        applications. For computer RGB applications the -3dB bandwidth must
        be at least 30MHz and the gain accuracy between parts should be better
        than 3%. The 1C should operate on supply voltages from ±5V to ±15V,
        since there are still a lot of systems today on ±12V even though the trend
        Is to ±5 V. Of course if the circuit could operate on a single +5 V supply,
        that would be ideal for the PC based multi-media market.
           The control input can be in many forms. Zero to one or ten volts is
        common as are bipolar signals around zero. Some systems use current
        inputs or resistors into the summing node of an op amp. In variable gain
        amplifier applications often several control inputs are summed together.

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