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218                        Notes

           80.  It  follows  from  this  proposal  that  each  of  the  universal-pragmatic
         subtheories,  that  is,  the  theory  of  illocutionary  acts  as  well  as  the  theory
         of  elementary  sentences  (and  that  of  intentional  expressions)  can  make
         its  specific  contribution  to  the  theory  of  meaning.  In  Austin’s  choice  of
         the  terms  meaning  and  force,  there  resonates  still  the  descriptivist  preju-
         dice—a  prejudice,  I  might  add,  that  has  been  out  of  date  since  Wittgen-
         stein  at  the  latest,  if  not  since  Humboldt—according  to  which  the  theory
         of  the  elementary  sentence,  which  is  to  clarify  sense  and  reference,  can
         claim  a  monopoly  on  the  theory  of  meaning.  (Naturally  reference  seman-
                                     )
         tics  also  lives  from  this  prejudice.
           8x.  Austin,  How  to  do  Things  with  Words,  p.  132.
           82.  Ibid.,  pp.  147-148;  Searle,  Speech  Acts,  pp.  64  ff.
           83.  Austin,  “Performative  Utterances,”  p.  248.
           84.  Austin,  How  to  do  Things  with  Words,  p.  144.
           85.  Ibid.,  pp.  145  ff.  Cf.  also  ‘“Performative-Constative,”  p.  31:
           To  begin  with,  it  is  clear  that  if  we  establish  that  a  performative  utterance
           is  not  unhappy,  that  is,  that  its  author  has  performed  his  act  happily  and  in
           all  sincerity,  that  still  does  not  suffice  to  set  it  beyond  the  reach  of  all
           criticism.  It  may  always  be  criticized  in  a  different  dimension.  Let  us  suppose
           that  I  say  to  you  “J  advise  you  to  do  it’;  and  let  us  allow  that  all  the  circum-
           stances  are  appropriate,  the  conditions  for  success  are  fulfilled.  In  saying
           that,  I  actually  do  advise  you  to  do  it—it  is  not  that  I  state,  truely  or  falsely,
           that  1  advise  you.  It  is,  then,  a  performative  utterance.  There  does  still  arise,
           all  the  same,  a  little  question:  was  the  advice  good  or  bad?  Agreed,  I  spoke
           in  all  sincerity,  I  believed  that  to  do  it  would  be  in  your  interest;  but  was  I
           right?  Was  my  belief,  in  these  circumstances,  justified?  Or  again—though
           perhaps  this  matters  less—was  it  in  fact,  or  as  things  turned  out,  in  your
           interest?  There  is  confrontation  of  my  utterance  with  the  situation  in,  and
           the  situation  with  respect  to  which,  it  was  issued.  I  was  fully  justified  per-
           haps,  but  was  IJ  right?
           86.  Austin,  How  to  do  Things  with  Words,  pp.  144-145.
           87.  J.  Habermas,  “Vorbereitende  Bemerkungen,”  pp.  111  ff.
           88.  Austin,  “Performative  Utterances,”  pp.  250-251.
           89.  Ibid.,  p.  251.
           90.  Austin,  “Performative-Constative,”  pp.  31-32.
           91.  Searle,  Speech  Acts,  p.  63.
           92.  On  Wunderlich’s  analysis  of  advising  (Grundlagen,  pp.  349  ff.)
         the  general  context  conditions  would  be  as  follows:
           S  makes  it  understood  that  (that  is,  S  should  give  the  advice  only  if  these
           conditions  obtain,  and  H  should  accordingly  believe  that  they  obtain)
                                                                  :
           1  S  knows,  believes,  or  assumes  (depending  on  preceding  communication)
             that
             a)  H  finds  himself  in  an  unpleasant  situation  Z;
            b)  H  wants  or  desires  to  reach  some  other,  more  pleasant  situation  Z’  54
                Z;
            c)  H  does  not  know  how  Z’  can  be  reached;
             d)  H  is  in  a  position  to  do  4.
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