Page 65 - Crucial Conversations
P. 65

LEARN TO LOOK  47


       You  can't believe how obvious  this  advice  is-and yet you've
     never thought  of such  a thing. W e irder  still,  your friend  has.  In
     fact, he has a whole vocabulary for what's going on during a cru­
     cial conversation. It's as if you've been speaking another language.


                     N
     WATCH  FOR  CO D ITIONS
     In truth,  most of us do have  trouble  dual-processing  (watching
     for content and conditions)-especially when it comes to a cru­
     cial  conversation.  When both  stakes  and  emotions  are high,  we
     get so caught up in what we're saying that it can be nearly impos­
     sible to pull ourselves out of the argument in order to see what's
     happening to ourselves and to others. Even when we are startled
     by  what's  going on,  enough  so that  we  think:  "Yipes!  This  has
     turned ugly.  Now what?" we may not know what to look for in
     order  to turn things  around. We may not  see  enough  of what's
     happening.
       How could that be?  How could we be smack-dab in the mid­
     dle  of a  heated  debate  and  not  really  see  what's  going  on?  A
     metaphor might help.  It's akin to going fly  fishing for the  first
     time with an experienced angler. Y o ur buddy keeps telling you to
     cast your fly six feet upstream from  that brown trout "just out
     there." Only you can't see a brown trout "just out there." He can.
     That's because he knows what to look for. Y o u think you do. Y o u
     think you need to look for a brown trout.  In reality ,  you need to
     look for a brown trout that's under water while the sun is reflect­
     ing in  your eyes.  Y o u have to  look for elements  other  than  the
     t h ing that your dad has stuffed and mounted over the fireplace.
     I t takes both knowledge and practice to know what to look for
     and then actually see it.
       So what do you look for when caught in the middle of a cru­
     cial  conversation?  What  do  you  need  to  see  in  order  to  catch
     problems  before  they  become  too  severe?  Actually,  it  helps  to
     watch  fot' three different conditions:  the moment a conversation
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