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Blocks and technical diaqrams  193

                    Midi sequencer application

                    It is often necessary to write clear instructions and produce understandable diagrams
                    where products are interconnected, for the benefit of users. Hi-fi and computer con-
                    trolled equipment are typical examples where several expensive components need to be
                    wired together. All-embracing universal diagrams are sometimes confusing when they
                    are not up-to-date or contain models of equipment slightly different to those you happen
                    to have purchased. A diagram should therefore be accurate, clear, relevant, unambiguous
                    and in good proportion.
                    The diagrams in Fig. 9.8 emphasise some helpful points. The left-hand line diagram gives
                    the distribution of electronic signals between a computer and musical instruments in a
                    MIDI (musical instrument digital interface) system. The computer's function is as a


                         FLYER 1
                    X                                                  I
                          1                                        I      D5        I
                         2
                         3
                         4    -los SOUND
                         5        CHANNELS
                         6                                         I     RA50       I
                          7
                          8
                         9
                         10   -D5DRUMS
                         11
                         12                                        I                I
                         13                                               K1M
                         14
                         15
                         16


                                                                II
                         FLYER 2                          I    REVERB      I
                    Y

                          1
                         2     BASS     -)
                         3     LOWER      I
                         4     UPPER      '-- RA50 MIDI
                         5     ACCOMP1 Jf CHANNELS                I                  II
                         6     ACCOMP2                    I                I I      TAPE        I
                         7     ACCOMP3-                      C/O SWITCH
                         8
                         9
                         10    RA50 DRUMS
                         11
                         12
                         13
                         14
                         15   K1M                               AMP.
                         16


                          MIDI CHANNELS                        AUDIO CONNECTIONS

                    Figure 9.8
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