Page 100 - Enhancing CAD Drawings with Photoshop
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4386.book  Page 83  Monday, November 15, 2004  3:27 PM

                                                                                      BALANCING COLOR  83



                       In some cases, you might want to intentionally change the mood of an image by shifting its color
                    balance slightly. A bright sunny day might seem psychologically warmer if the image has an orange
                    cast. Color influences emotions, and people’s perceptions can be shifted with careful color balancing.
                       1. Continue from where you left off in the last section, or open the file SidewalkWorking.psd
                          from the CD.

                       2. The primary tool for color balancing images that have easily identified neutral tones is Curves.
                          Apply a Curves adjustment layer to open the Curves dialog box as shown in Figure 3.13.

                  Figure 3.13
                  The Curves dialog box















                                                                   Set Black Point
                                                                     Set Gray Point
                                                                      Set White Point


                    TIP  You can use many other specialized tools to work on color in Photoshop. Choose Help   Photo-
                       shop Help for more information on the following adjustments: Hue/Saturation, Color Balance,
                       Selective Color, Match Color, and Replace Color.
                       3. You can use the Curves dialog box in a couple of ways: by manually creating your own custom
                          curve, or by using the eyedropper tools shown in Figure 3.13. In these steps, you will use the
                          latter approach to remove any color cast in this image. Start by double-clicking the Set Black
                          Point eyedropper to open. the Color Picker dialog box.
                       4. Set the target shadow color by dragging along the left edge of the color ramp until RGB values
                          all read 20. You are setting the grayscale level to which you want this eyedropper to map. It is
                          a good idea to map your blacks slightly brighter than pure black so you still have some wiggle
                          room. Click OK.

                    WARNING     Once pixels are pushed to either pure black or pure white, any tonal information that
                       may have once been stored in them is lost.
                       5. Double-click the Set Gray Point eyedropper and verify that its RGB values are set to 128 (middle
                          gray). Click OK.
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